TBIHA

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

A dark and magical visit to the fabled Parisian address Rue Fontaine 42. This was the residence of André Breton, the mastermind of surrealism, who surrounded himself with an impressive collection of modern, Western art and ethnographic objects from Oceania and North America. The collection was sold and divided up in 2003 at a controversial auction. 'The Trick Brain' is a delirious montage and a trip back in time to Breton's private art collection, where Atkins has been scouring the archives and come up with a possessing interior film of the place that once was, complete with surrealistic paintings, scores of Indian figures and hundreds of other displayed rarities. The film's soundtrack is provided by an observant narrator, who reveals to us that the objects shown are not necessarily what they claim to be - but instead are catalysts for some kind of wonderful linguistic virus which reveals the real identity of things.

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.

This comprehensive documentary chronicles the underground rave culture in Southern California, one of its first American strongholds. With roots in a tribal past, this movement attempts to format the future of a truly global community by combining elements of electronic/percussive music, the psychedelic imagination, and mass dancing. From warehouses to mountain retreats to the deserts of the Mojave, an unseen world comes into clear focus; with kinetic camera work and candid interviews, this slice of visual anthropology probes the underbelly of a worldwide subculture with the help of some of electronic music's most acclaimed DJs, a technomusicologist, and a county sheriff. Open your mind to this moving entertainment experience and intimate portrait of a modern counter-culture that follows its own electronically induced beat.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.

An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.

In 1968, the fury and violence of the Democratic National Convention in Chicago propelled us toward a tipping point in politics. Martin Luther King Jr. and Robert F. Kennedy were assassinated, America suffered its bloodiest year in Vietnam and drugs seduced us. Yet idealism--and hope--flourished. Explore the significance of that turbulent year and the way it continues to affect the American landscape. Tom Brokaw offers his perspective on the era and shares the rich personal odysseys of some of the people who lived through that chaotic time, along with the stories of younger people now experiencing its aftershocks. Includes archival footage and interviews with former Atlanta Mayor Andrew Young, who was talking to King when he was assassinated and rushed to his side to try to staunch the wound; Olympic gold medalist Rafer Johnson, who wrestled RFKs' assassin to the ground; and Arlo Guthrie, best known for his song "Alice's Restaurant.

Scientist Mark Plotkin races against time to save the ancient healing knowledge of Indian tribes from extinction.

A documentary on the influential anthropologist Margaret Mead. Using never-before-seen archival footage, stills, interviews and dramatic re-creations, it shows the journey of how Mead became a scientist, adventurer, and international celebrity. As a true pioneer of cultural anthropology, her findings and ideas shaped how we think about ourselves.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

What happens when western anthropologists descend on the Amazon and make one of the last unacculturated tribes in existence, the Yanomami, the most exhaustively filmed and studied tribe on the planet? Despite their "do no harm" creed and scientific aims, the small army of anthropologists that has studied the Yanomami since the 1960s has wreaked havoc among the tribe – and sparked a war within the anthropology community itself.

The Fall of Womenland is a fascinating documentary on the unique sexual culture of the Mosuo people — a small minority situated in the southwest of China — and one of the last remaining matriarchal societies in the world. Without a formal marriage contract, the Mosuo traditionally build relationships based on free love and sexual satisfaction (‘walking marriages'). But can the sexual liberty and power of the Mosuo women survive as modern Chinese society slowly encroaches their ancestral land? The film explores the present reality for the Mosuo people as well as the dangers that threaten their inherited way of life.

It portrays a pioneering and risky work carried out in a small Xinane base, by FUNAI, near Parallel 10º South, west of Acre, on the border with Peru. In simple installations, in the middle of the jungle, the sertanista José Carlos Meirelles carries out the difficult mission of protecting the isolated Indians of the region, with the help of anthropologist Terri Aquino. With few resources, specialists perform their tasks tirelessly. In addition to carrying out a permanent negotiation with the riverside populations in the area, they also deal with the confrontation with traffickers and squatters who try to invade it.

Mankind from Space is an epic journey of discovery. Using mind-boggling data and CGI, it traces humankind’s story from hunter-gatherer to dominant global species. Seen from the global perspective of space, this special shows the breath-taking extent of our influence, revealing how we’ve transformed our planet and produced an interconnected world of extraordinary complexity.

A century ago the Torres Strait Island were the subjects of the famous Cambridge Anthropological Expedition - the resulting depletion of their cultural artifacts left them with nothing but a history of remembered loss. The only people in the Pacific to make elaborate turtleshell masks have none left - they are all in foreign museums. In a quest to reclaim the past, Ephraim Bani, a wise and knowledgeable Torres Strait Islander, travels with his wife to the great museums of Europe where his heritage lies. The film, an SBS Independent production, shows that the thickest of masks cracks when a descendant of the original owners enters a museum.

Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.