In 2007 the legendary American duo White Stripes toured Canada. Besides playing the usual venues they challenged themselves and played in buses, cafés and for Indian tribal elders. Music video director Emmett Malloy followed the band and managed to capture both the special tour, extraordinary concert versions of the band's minimalist, raw, blues-inspired rock songs and the special relationship between the extroverted Jack White and the introspective Meg White - a formerly married couple who for a long time claimed to be siblings. The film makes striking use of the band's concert colors: red, white and black.
With the concert at the Royal Theater Carré, a beautiful adventure came to an end, 25 sold-out theaters and 4 open-air concerts with strings and wind instruments. The complete film that director Roderik Pattijn made of this musical trip. In the film the band members, all guest musicians but also arranger Tom Trapp talk about this special collaboration.
Divine Madness is a 1980 concert film directed by Michael Ritchie, and featuring Bette Midler during her 1979 concert at Pasadena's Civic Auditorium. The 94-minute film features Midler's stand-up comedy routines as well as 16 songs, including "Big Noise From Winnetka," "Paradise," "Shiver Me Timbers," "Fire Down Below," "Stay With Me," "My Mother’s Eyes," "Chapel of Love/Boogie Woogie Bugle Boy," "Do You Want to Dance," "You Can’t Always Get What You Want/I Shall Be Released", "The E-Street Shuffle/Summer (The First Time)/"Leader of the Pack" and "The Rose".
Witness the unparalleled energy of aespa’s live performance captured from their electrifying show at London's O2 Arena, their first-ever UK show. With their futuristic stage visuals, high-energy choreography and captivating vocals, they fiercely commanded the stage delivering fan favourites including ‘Next Level’, ‘Savage’, ‘Girls’, ‘Spicy’ and ‘Black Mamba’. The film also highlights individual performances by each member, complemented by exclusive behind-the-scenes interviews, offering a glimpse behind the curtain.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.
British progressive rock band Pink Floyd perform at the ancient Roman Amphitheater in the ruins of Pompeii, Italy in 1971. Although the band perform a typical live set from the era, there is no audience beyond the basic film crew.
Tenor saxophonist, composer and producer Kamasi Washington and his band perform a special show at Harlem's legendary Apollo Theater for the theatre's 85th year anniversary. Washington explores Harlem's rich musical and cultural history and the city's influence on his generation of artists.
This was the band's second performance at the music festival and their first since the success of 'Nevermind' had elevated them to the position of what magazines called the "biggest" rock band in the world. It was also sadly their final concert in the United Kingdom.
ABBA's 1979 tour of North America and Europe, with emphasis on performances at Wembley Arena, London.
Concert film combining the footage from 50 camcorders given to audience members of a sold-out Beastie Boys show at Madison Square Garden on October 9, 2004. The audience members were instructed to keep the cameras rolling at all times.
A concert film that the former Pink Floyd singer-songwriter made on various tour dates between 2010 and 2013, when he was playing his former group's 1980 double-album in its entirety.
A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album "Speaking in Tongues." The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
the Mountain Goats, recorded live in studio at Manifold Recording in Pittsboro, NC, on February 27 & 28, 2021.
Ellie Goulding performs at the V&A Museum in London, England, UK for her streaming concert. The Brightest Blue Experience, will find Goulding delving deep into her new album and performing many of the songs for the very first time, in addition to a selection of fan favorites from her catalog. Ellie will be accompanied by “a special ensemble of live musicians and very special guests". In addition to becoming Goulding’s third No.1 record in the UK, Brightest Blue also captured the hearts of critics.
The Australian Chamber Orchestra has always forged its own path. With Artistic Director and violinist Richard Tognetti at the helm, the ACO has been producing films for over a decade, from their award-winning collaborations with BAFTA-nominated director Jennifer Peedom (‘Mountain’, ‘River’) to their acclaimed series of cinematic music films, ‘ACO StudioCasts’. Directed by Matisse Ruby, ‘The Four Seasons’ film release is the latest from this ground-breaking, world-renowned ensemble. Arguably the most popular and recognisable piece of classical music ever written, this performance directed by Richard Tognetti, highlights the profound symbiosis between Vivaldi’s Venice and the Middle East. Interspersing Vivaldi’s masterpiece with music by Australian-Egyptian composer and Oud virtuoso Joseph Tawardros, the film honours Vivaldi’s classic while giving it new life. A must-see for music lovers and cinephiles alike.
“SuperTurnê: The First and Last Night” has its grand premiere capturing unforgettable moments from one of the biggest tours in Brazilian history. Filmed at Allianz Parque in São Paulo, the material showcases the three sold-out shows performed by Jão, which brought over 140,000 people to the stadium, while also revealing behind-the-scenes footage of this unprecedented mega-production in Brazil.
From unlikely origins in northern Québec at the height of the Cold War, Voïvod’s post-apocalyptic sci-fi aesthetic, fuelled by a youthful obsession with their instruments, took them from underground success to sharing dates and tours with Iron Maiden, Rush, and Metallica. Despite adversity, and perhaps by cosmic intervention or just serendipity, Voïvod found guitarist Daniel “Chewy” Mongrain; subsequently, the band re-ignited their engines and laid a course back to Morgöth via numerous live shows around the world, a comeback album in Target Earth, singles, EPs, and finally, the late-career triumph, The Wake. In 2019, Voïvod were recognized by the Canadian Academy of Recording Arts and Sciences with a Juno Award for best hard rock/metal album of the year for The Wake.
A film about the Tibetan Freedom Concert in San Francisco in 1996.