Rogério Sganzerla Send His Message to Brazil

Raiz e Alma

The series tells the story of the São Paulo International Film Festival, one of the most traditional cultural events in Latin America. For 48 years, the festival has showcased hundreds of films from all over the world, bringing vibrancy to the city. Filmmaker Marina Person provides an irreverent perspective, highlighting the exciting and unusual stories that have marked the festival’s journey of resistance. The series reveals the individuals who have embraced the challenge of organizing this significant cultural event in Brazil every year, despite often challenging conditions. We also delves into how the Mostra has grown to become one of the main festivals globally, shedding light on the changes in cinema, Brazil, and the world over the years.

Documentary about Brazilian actress Sandra Bréa.

The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

Pra Ver a Banda Passar

Passatempo

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Buying the game

Gerais da Pedra

Amid the 2019 drought in Brazil’s Northeast, Madalena loses her mother in a tragic event that changes her life. Alone, she joins a rebellion at the Grajaú farm in Canudos, where a community rises against government neglect. A violent State response turns their hope into sorrow. Later, journalist Júlia returns to uncover the truth, hearing from people like Lúcia, a grieving mother. As Júlia investigates, hidden stories emerge: Madalena's forbidden love with rebel João and Pedro's thirst for revenge after losing his father to political violence. Their paths cross in a tale of justice, pain, and redemption. Inspired by Ariano Suassuna, famed for "A Dog’s Will", this short film is a prelude to "A Pena e a Lei", created by 9th-grade students from Escola SESI Cambona, in Maceió, Brazil. It was screened at the SESI Festival of Art and Culture in July 2023, touching audiences with its emotional and socially conscious narrative.

O Voo

PLURAL is a journey through the intricate construction of identity. Guilherme Terreri and Rita Von Hunty unfold to explore the fluid boundaries of the integral self and human expression.

Doces Relatos

Grafite é do Morro

"Impressões" rescues the history of the Brazilian press since 1808, when the "Correio Brasiliense" clandestinely reached Rio de Janeiro after being edited in London by Hipólito José da Costa, and spans until 1986. It's the first documentary to depict the history of the Brazilian journalistic press.

Natal

Deepening into the contemporary Brazilian drag scene, "All That Drag" answers many questions about a little known story. The film investigates this artistic expression and the freedom it represents through five drag artists.

MARCIANO

Based on parts of Rita Lee’s autobiography “Uma Autobiografia”, the documentary explores Rita’s remaining legacy in her childhood home, which is currently the residency of missionaries. This film seeks to investigate the persistence of memories of spaces that no longer exist.