Navrácený zrak

The Bionic Eye

At a time when our eyes are tiring ever faster, we zoom in on new techniques to combat visual diseases and deficiencies.

A filmmaker, fascinated by the power of the camera and obsessed with the theories of Russian film pioneer Dziga Vertov, decides to get a camera eye to replace the real eye he lost as a child. The visionary quest begins on the operating table, where a surgeon grafts a prototype ocular implant into his eye socket. Seeking a microscopic camera that could be incorporated into his artificial eye so he could secretly film whatever he sees, the filmmaker explores the futuristic technology that could make this possible, while revisiting chapters of his own past.

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

Violinist Sydney Wells was accidentally blinded by her sister Helen when she was five years old. She submits to a cornea transplantation, and while recovering from the operation, she realizes that she is seeing dead people.

Leading up to the events of Pitch Black, Richard B. Riddick escapes the Ursa Luna Penal Facility with William J. Johns hot on his tail.

A blind concert violinist gets a cornea transplant allowing her to see again. However, she gets more than she bargained for when she realizes her new eye can see ghosts. She sets out to find the origins of the cornea and discover the fate of its former host.

Monica is a social worker in Mexico City, whose son has a degenerative illness in both eyes. Having exhausted all other options, a corneal transplant is the only hope. Overwhelmed by the slowness of the health care system and the scarcity of resources, she decides to search for an extreme solution in her work environment: the world of street children.

A mad doctor uses a fake taxi driver to kidnap victims and then removes their eyes in hopes of perfecting an eye transplant that will allow his blind wife to see again. One of the doctor's servants ends up getting possessed by not one, but several of the victims.

Lekha Tharoor (Meera Jasmine) is an intelligent woman with a breadth of knowledge about everything who anchors a popular TV show of her own. She was blinded at a young age in an accident involving firecrackers. She gets her sight back after getting a transplant. However post the operation she starts getting strange visions which unfortunately makes the people around her think that she lost her mind.

Artist David Stuart is blinded by a jealous model whose portrait he is painting. His fiance's father generously offers his eyes for a sight restoring operation. There's only one hitch: Stuart has to wait until after the man dies. Not surprisingly, when the benefactor dies a very premature death, suspicion falls on the artist.

A blind man falls in love with the doctor who has arranged his eye transplant. The operation, although successful, carries unexpected and haunting consequences.

Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, dreaming up little numbers to the rhythmic beats of her surroundings.

This variety special aims to educate viewers, raise awareness and dispel concerns surrounding the COVID-19 vaccines, all with the goal of increasing vaccination rates to put an end to the pandemic.

This documentary is an "Asian report" on so-called international prostitution. The subject matter of parasitic tourism in Jeju Island in Korea is focused on, and it is said that international prostitution in Asia has a relationship between countries, focusing on Thailand and Japan, and that it is not only a problem between countries biased by the flow of capital, but also in the context of "sexual culture" with long roots. In the second half, the question is what is the alternative and what is the boundary between prostitution and non-prostitution in the current situation that is considered to be like "ghetto" because it is separated from the life of the general public.

The bleakness of Antarctica is a fallacy. The ice continent is full of life and offers a biodiversity of which only about two percent are known. Much of it is under water and could determine the future of human beings. When the northern lights cover the ice landscape in summer, the animals in the Antarctic are in a paradisiacal state. Whales blow their fountains in the sky, penguins fly like small rockets into the water, seals dive for crabs under the glittering ice floes. From the bay of the Ross Sea to the ice shelf, from the huge penguin colonies to steaming volcanoes, a life in rhythm with the ice. But the consequences of climate change are slowly becoming apparent here too. While some species are dying, others are spreading. They could bring new viruses and bacteria with them, and new dangers for humans too. The structure of nature has gotten off course. How many generations will still be able to experience the magic of Antarctica?

When everyone is supposed to be celebrating the arrival of a new year, the Chilean director Cristobal Valenzuela takes to the streets of Santiago to give voice to another facet, less colorful and festive, undoubtedly invisible, of this eve. Lonely pedestrians who roam the streets of the city inhabit the frame of a handheld camera that allows them to express themselves. Comments of hopelessness and tiredness, contrasting with the sky lit by fireworks, give us a glimpse to that other social image.

A heartbroken documentary filmmaker focuses his camera on interesting women with hopes of meeting the love of his life.

Oradour, retour sur un massacre

A report on the National Black Political Convention held in Gary, Indiana, in 1972, a historic event that gathered Black voices from across the political spectrum, among them Jesse Jackson, Dick Gregory, Coretta Scott King, Richard Hatcher, Amiri Baraka, Charles Diggs, and H. Carl McCall.