The last live performance of Number Girl's last tour, recorded on November 30, 2002 at Sapporo Penny Rain.
My Father, Pedro
The first omnibus film starring "BiSH", also known as “The punk band that doesn’t play any instruments”. A collaboration with six different directors to create a unique experience that reveals new aspects of "BiSH", from drama to arthouse.
Number Girl live in Shibuya
NUMBER GIRL live in Austin, TX for 1999 SXSW festival. Limited-edition DVD included with first pressing of Omoide in My Head 2 - Kiroku Series 1.
A Concert Held By BiSH At Hibiya Open-air Music Hall, BiSH Less Than SEX TOUR FiNAL"帝王切開"
In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.
Jørgen Leth's personal, pleasurable distillation of Danish literature covers seven poets alive at the time of production and twenty classical poets. A handful of actors share readings of the classical texts in semi close ups against a dark background; the living poets read their own works.
The true, detailed lives of the girls of the Russian pop duo t.A.T.u. as they break through in their promotional tour in America.
On a talkshow, actor and German TV ikon Joachim Fuchsberger recalls how the games for his show "Nur nicht nervös werden" (Don't Get Nervous), first broadcast on West German TV in 1960, were developed along the lines of American psychiatry. Asked "So how many crazy people watched you?", he responded: "A whole crazy, psychologically disturbed nation". Why were the Germans or to be more precise, the West Germans, a psychologically disturbed nation at that time? This is a film about cheerful and serious games, therapies for re-education and self-imposed re-education, as well as the history of the idea of permanent revolution. Those appearing include directors and producers of gameshows, psychiatrists, anthropologists, and the diversely paranoid.
Following his award-winning Mansfeld trilogy, Mario Schneider returns to Leipzig with a film that is simply astonishing. The basic idea is captivating: on one level, the film tells the story of three people who pose nude at the local art academy. This creates a point of intersection from which the film credibly enters and exits the world of its protagonists. At the same time, it connects the work of art with that of life, while the moment of posing nude invites viewers to contemplate the human body.
Winning is never a slam dunk. They were the most popular fraternity on the campus of college basketball in the early 1980's. Led by a Nigerian soccer player named Hakeem Olajuwon and a lightly recruited hometown kid named Clyde Drexler, the University of Houston Cougars not only electrified the NCAA Final Four with three straight appearances (1982-84), but they also helped transform the game itself. Director Chip Rives brings back the high-flying circus act under ringmaster Guy V. Lewis and spins a tale of true greatness and crushing heartbreak.
Golo & Ritchie
Surrounded by barren cities, sterile concrete or over maintained, uniform patches of green, more and more animals are losing their last places of retreat. The city continues to grow inexorably but, where humans fail to impose their order, nature sprouts and crawls out of the tiny cracks in the asphalt and concrete and re-conquers its territory.
A documentary based on the set of K-Fee commercials and how one of them lead to the infamous ghost car video
Accent on the Offbeat is a cinema vérité film about the creation and premiere of the ballet Jazz (Six Syncopated Movements), composed by trumpet virtuoso Wynton Marsalis and choreographed by Ballet Master in Chief Peter Martins of the New York City Ballet. A focus of the film is the remarkable contrast - in background, temperament, style and creative approach - between Martins and Marsalis as they unite the disparate worlds of ballet and jazz.
A year in the life of one of America's most innovative classrooms where students design & build to transform their hometown community. The film follows Emily Pilloton and Matt Miller as they teach the fundamentals of design, architecture and construction to a class of high school juniors in rural North Carolina.
Louis visits one of America’s most crime-ridden cities in this installment of Law and Disorder.
Director Peter Bogdanovich discusses the career of director/writer Leo McCarey. Included in The Criterion Collection's 2010 DVD release of the Leo McCarey film Make Way for Tomorrow (1937).
Documenting Taiwan from an aerial perspective offering a glimpse of Taiwan's natural beauty as well as the effect of human activities and urbanization on our environment.