A fairly shabby, dark, three-part wardrobe in a hallway: About ten years have passed since Joana Claude suffered sexual violence when it was assembled. Now the time has come to not only disassemble it. Instead, Joana sets out to destroy the artefact of pain completely. The gesture is made with fervour, tearing out the shelves and doors looks like retroactive resistance, what was pent up finds an outlet. At the same time, the ritual is characterised by gradual escalation: At first the director speaks of her relationship with her parents – a big sweat stain on her back already beginning to show –, in the end everything is in flames. The act is short, it lasts only a few minutes. And yet it allows an intimate insight that acquires a universal, strength-giving character as it unfolds.
A short documentary film about Czech-Bulgarian painter Ivan Mrkvička
A documentary focusing on Polish 60-year-old Henryk Kowalczyk who is deaf-blind and being taught sculpture. Working with clay and other materials is therapeutic light in a world of darkness
In 1945, Allied troops invaded Germany and liberated Nazi death camps. They found unspeakable horrors which still haunt the world’s conscience. A film was made by British and American film crews who were with the troops liberating the camps. It was directed in part by Alfred Hitchcock and was broadcast for the first time in its entirety on PBS FRONTLINE in 1985.
A display of a fallen red cedar at Olympic National Park headquarters proclaims in 1349 "Indians live here." TREE BEGINS LIFE INDIANS STILL LIVE HERE produces a meditation on the territories of the First Nations of the Pacific Northwest, and invites an alternative interpretation of U.S. sovereignty over these lands.
Through a series of extraordinarily honest and intimate conversations, filmmaker Aurora Brachman examines the intergenerational fallout of experiences her mother endured as a child. Together, they forge a path forward that offers them a new beginning.
Comments on the history of a people, made by the filmmakers and their characters. From the time of contact, through captivity in rubber plantations, to the current work with video, the testimonies give meaning to the process of dispersion, loss and reunion experienced by the Huni kui.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
A short documentary featuring an interview with director Jörg Buttgereit.
After waiting all day long, an aspiring actor tries to grab the attention of the exhausted and hungry judges during the short audition.
A documentary about Freia who lives with her mother in a hippie collective. She has thoughts on everything from the things her parents are doing to life in New York and the world.
A Case Study: Cambodia and East Timor
In the estuaries and lagoons of the Northern Territory, freshwater and saltwater crocodile are hunted for their hides by both Indigenous and non-Indigenous hunters. This film shows Aboriginal people using age-old hunting techniques to land crocs either for food or for skins. The methods employed by the professional hunters, who earn as much as 3000 pounds during the season, are also depicted, followed by a brief look at how the hides are skinned and prepared before being transported to the leather factories of Sydney and Melbourne.
A short film warning the unaware housewife of the dangers of “dry cleaning” with gasoline at home.
A son makes a surprising discovery on his elderly parents' answering machine after his father's passing.
The film is a fragmented representation of an artist's experience at an art gallery where Wolfgang Lehmann, as a part of his masterclass, shows 2 of his films and in-between, a film by Kurt Kren.
A study of nocturnal butterflies and their mating habits.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
The master collects silver parings, melts it down, created earrings, rings, bracelets, hair pins, stones inset into the silver, the master imparting the craft to his apprentices.
Kang Aries and Kang Oca are two cultural observers of Kujang who try to provide a justification perspective on the Kujang Philosophy made by one of the blacksmiths named Abah Jajang, where the general public often considers that Kujang is a sharp weapon. The two of them "Kang Aris & Kang Oca" entered the realm of the trial to defend the essence of Kujang, so as not to be considered misunderstood by the general public.