Tokyo 2020 Olympic Closing Ceremony

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Five-time Olympic medalist and Native Hawaiian Duke Paoa Kahinu Mokoe Hulikohola Kahanamoku shattered records and brought surfing to the world while overcoming a lifetime of personal challenges. Waterman explores his journey and legacy as a legendary swimmer, trailblazer, and the undisputed father of modern-day surfing, following the sport’s first-time inclusion in this year’s Summer Olympics – a fitting tribute to his work promoting the sport around the globe.

The life of the Schouten family revolves around tulips and top sport. Together they run a large international tulip company and children Irene and Simon skate at world top level. When mother Jolanda unexpectedly needs a lot of care and attention due to a brain haemorrhage, everything changes. How does the family relate to each other, skating and the company in this new situation?

The black power salute by Tommie Smith and John Carlos at the 1968 Mexico Olympics was an iconic moment in the US civil rights struggle. Far less known is the part in that episode in history played by Peter Norman, the white Australian on the podium who had run second — and the price paid afterward by all three athletes.

Three men embark on a journey in search of meaning and happiness in the autumn of their lives: Bob swaps his safe home for a camper van and tries to find himself in the barren Californian desert; Steve, drag queen and stand-up comedian, is fed up of England and makes amends with his past in Benidorm; Yamada rediscovers his smile by reading stories to children in Tokyo.

This documentary by director Paul Cowan is about four athletes and a team that competed in the 1976 Olympics. They had trained courageously to be among those who would mount the podium to receive a medal. None of them did, but was it worth the effort? I'll Go Again answers the question.

With fireworks forming the word “Rio” in the sky and supermodel Gisele Bundchen shimmering to the tune of “The Girl from Ipanema,” Rio de Janiero welcomed the world to the first Olympic Games in South America with a serious message underlying the celebration: Let’s take care of our planet.

Leni Riefenstahl's flamboyant Nazi aesthetics shaped the public image of the 1936 Olympics. Never before had sports and politics been mixed. Through archive photos and reconstructions, we get a closer look into the historical propaganda show.

It's an all-access pass into the winter Olympic spirit of Lake Placid, NY. Rich in history, this little Adirondack village has played host to some of the biggest events and moments in Olympic history.

Revisiting the genre of the road movie in a very diaristic and personal way, the film takes us on board architect Ryue Nishizawa’s vintage Alfa Romeo (Giulia) for a day long wandering in the streets of Tokyo.

On Saturday, July 27, 1996, a terrorist’s bomb exploded in Centennial Olympic Park at the Atlanta Summer Games, killing two and injuring 111. The toll would have been far higher if not for security guard Richard Jewell, who discovered the bag holding the bomb and helped clear the area. Yet within hours, praise of his heroism turned to vicious accusations. Jewell would be hounded for months by investigations and the media. Eventually, the FBI would capture and convict Eric Robert Rudolph for the crime. Judging Jewell revisits the scene in Atlanta where Richard Jewell, a man simply doing his job, lost the one thing he valued most — his honor.

Follows Japanese director Naomi Kawase as she directs the official film of the Tokyo 2020 Olympic Games, giving a message that goes beyond the physical exploit to mark souls, with her style and all her subtlety.

The story of a nation coming together around Indigenous athlete Cathy Freeman who delivered when it mattered on the greatest stage on earth. 20 years on, Freeman sheds light on one of Australia's proudest moments. In 49.11 seconds, Cathy Freeman's win at the 2000 Sydney Olympics brought Australia together as a nation.

At the Winter Olympics of 1980, after two tense weeks amidst growing Cold War fears, the U.S. Olympic hockey team found themselves playing improbably against the legendary unbeatable Soviet Army hockey team for Olympic Gold. From the live footage taken at Lake Placid, NY, and through interviews beginning with the team's assembly through the experience of winning the gold medal.

Fists of Freedom examines one of the 20th century’s most memorable moments — the dramatic “Black Power” demonstration of American sprinters Tommie Smith and John Carlos on the victory stand at the 1968 Summer games in Mexico City. Using rare footage, archival photos and interviews with key figures from the era, revisit a pivotal event in American history.

The Closing Ceremony of the XXXI st Olympiad.

This Nazi propaganda film covers the 1936 Winter Olympics that were held in Germany.

Documentary footage recaptures the excitement of the 1948 London Olympics, the first games since 1936.

Letter from Tokyo is a documentary film that looks at art, culture and politics in Tokyo, Japan. Shot over three months during the summer of 2018, and with a particular focus on grass roots arts initiatives, the use of public space, and queer politics, the film provides a snapshot of Japan’s capital in the run up to the 2020 olympics.