Tasty Ending

Follows the lives of an unemployed drunk and his son as they struggle to adapt to each other.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

A young woman leaves the city to return to her hometown in the countryside. Seeking to escape the hustle and bustle of the city, she becomes self-sufficient in a bid to reconnect with nature.

What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.

A filmmaker is invited to an actor's house, who is keenly interested in his story. For the story to be told, the characters need to speak for themselves so they began speaking and they said

Created by the members of a Nairobi-based arts collective — who have removed their names from the film for fear of reprisal — this anthology film that dramatizes true-life stories from Kenya’s oppressed LGBTQ community is both a labour of love and a bold act of militancy.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students.

A mentally exhausted chef revisits memories she had long surpressed through food, allowing her to find closure.

Crossroad is a first -of-its-kind portmanteau movie celebrating womanhood and tells the story of ten women, facing ten different life situations and explores how they tackle it. The movie encompasses ten feature films of fifteen minutes each, with each featuring prominent female artists from Malayalam film industry as the protagonist and is directed by a prominent Malayalam filmmaker. The movie showcases the vibrant facet of each woman and tells the story from her perspective.

Dear you, unrelated is a contemporary project that dares to believe in the potential of fiction. Directors Lee Mi-rang and Lee Jong-su attempt to imaginatively restore the lost ending of The Widow. In The Widow: Rewoven, Lee Mi-rang reimagines the protagonist Shinja making a radically different decision from the original. Her film captures the inner turmoil and determination of a woman once dismissed as an Après-girl, tracing her hesitant yet resolute steps toward a new path. In Bearer of Dawn, Lee Jong-su presents a fictional scenario in which Shinja seeks revenge by finding a blacksmith. A newly added sequence in which she chooses a sword shifts the film's tone from drama into one infused with the suspense of a thriller.

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, Andy is a cook who forever puts off home remodeling projects, Natalie is a plumber and Nicola is jobless. This film is about how they interact and play out family, conflict and love.

In the middle of night, Song goes out looking for a pho truck with her friend, Hoon, whom she met by chance.

On the day they finally broke up after a long relationship, Yeni leaves the last present for Sanghyuk remembering the moment when they fell in love.

Even though Migeum and Jeong-ah have been friends for many years, they always engage in the battle of nerves. The two head to Seoul together to meet their daughters but face an unexpected event during their journey.

Escaping from a hospital for the mentally disturbed, a man calling himself Jesus goes to Seoul. He feels he must save Seoul from judgement by fire by finding a woman who knows the meaning of true love.

A bank employee dissatisfied with the casualness and secrecy of her relationship with her boyfriend, a superior at work, is suddenly given a few days of vacation.

Frank Rautenbach leads a strong cast as Angus Buchan, a Zambian farmer of Scottish heritage, who leaves his farm in the midst of political unrest and racially charged land reclaims and travels south with his family to start a better life in KwaZulu Natal,South Africa.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

Seven episodes, each taking place on a different day of the week, on the theme of suicide and violent death.