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A self-reflexive, multi-portrait film following the filmmaker, Emma Barda, and other queer artists exploring queerness and gender identity through their art. The film takes a deep dive on how queer / gender non-conforming people interpret and represent body and gender identity through various facets of art and identity, with the aim to showcase the unique and wonderful world of queerness.

A deep dive into the lives and experiences of those impacted by the Fidel Castro era in Cuba.

At only 19 years old, an Argentinian filmmaker emigrates to Miami looking for better opportunities. She soon finds herself falling for her very first boyfriend, someone she thought was good for her. That would quickly change, making her feel trapped in an abusive relationship that she would hide from everyone around her for years. In a detailed search for healing, she explores the events that led to the morning when he sexually assaulted her to understand that she is not to blame.

A heavily edited look at a routine dog walk with 3 small pups.

Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.

Raízes de Concreto

A documentary on the life of the youth in post-Independence India.

Documentary covering the current state of both the theoretical and practical development of the various scientific basic principles that served, as per Gene Roddenberry's dictum, as a believable basis at the time for The Original Series. Several real-world scientists are interviewed, not a few of them unabashedly admitting they went into their chosen field of profession because of Star Trek: The Original Series.

Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm. Neurons of a liberated unconscious. Elimination of the idea of "soul" as "everything", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The "I" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the "object" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

In this short film, two starstruck movie fans hire a tour guide and see a plethora of Hollywood stars.

Encouraged by the polychrome onirism of the Ñuine land, Desiderio (58), a farmer from the south of Mexico, offers an offering to the Tupa, the ancient spirit of the hills to whom his grandparents went to to ask for rain and harvest. At nightfall, as he rests at the foot of a campfire, that mysterious being guides him to the core of an ancestral memory.

Pato, is a woman who must face her way, while struggling with the memory of a miscarriage. Lupita is a teenager looking for her place in the world.

A documentary about the possible ties between H.P.LOVECRAFT and the Polesine region (Italy), stimulated by the casual discovery of a mysterious manuscript attributed to the great American horror writer died in 1937.

The Conference on Security and Cooperation in Europe (CSCE) was the starting point for the slow but sure collapse of communist authoritarian rule in Eastern Europe. The Helsinki Effect offers new perspectives on the events of the Cold War. The film tells the story of the CSCE process, which had a major impact on the end of the Cold War, and sheds light on secret top-level discussions behind closed doors, through voice simulations using artificial intelligence.

Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.

A vivid portrait of a generation of Hong Kongers committed to creating a new more democratic Hong Kong. Schoolboy Joshua Wong dedicates himself to stopping the introduction of National Education. Whilst former classmate Ma Jai fights against political oppression on the streets and in the courts. Catapulting the viewer on to the streets of Hong Kong and into the heart of the action. The viewer is confronted with Hong Kong's oppressive heat, stifling humidity and air thick with dissent. Filmed over 18 months this is a kaleidoscopic, visceral experience of their epic struggle.

Documentary on the interdependence of the world of the living and the dead, and 'the infernal influence on the thoughts and actions of living people.

Norwegian police has traditionally not been armed in a normal situation. An unarmed police has been considered an important value, but in a chaotic world with mass shootings and terror, some are beginning to question if Norway has to go with the flow, and arm it's police too. Most police in the world carry guns every day. Is it still possible for Norway to choose the less violent alternative in 2016?

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.