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Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

A secret culture of foragers hunt the Matsutake, a coveted Japanese mushroom worth up to $1,000 a pound—although its true value lies underground as a brilliant networker and healer of ruined landscapes. The Matsutake might just be our last, best hope for an American forest system run amok.

In September 2022, Bengaluru made national news when the IT hub region of Bellandur faced major flooding resulting in a nightmare for all its residents. The idea of the film is to explore the two main factors contributing to this - the area’s topography and the rapid urbanization interfering with the natural water network - using visuals of a sprawling, developing metropolis contrasted with that of the chaos and breakdown of essential services that happened during the floods.

Twenty people, from all walks of life, are each locked alone in a room for the length of one 400-foot roll of 16mm film (11 minutes). They are each given the same set of twenty questions, which they can answer at random...if they're not completely distracted by their surroundings. Shot in 1987.

An elderly Catherine de Medici reflects back on how the prophecies of Nostradamus accurately predicted the fates of her husband, her three sons and herself.

A look at the horror movies of the 1980's.

A sociological meditation on the different "exits" that young Palestinians choose, in order to cope with life in the refugee camps.

Hundreds of thousands − perhaps even millions − of protestors have taken to the streets of Hong Kong since early June. Sparked initially by the government's plans for a controversial extradition bill, the movement has now transformed into a broader push for greater freedoms and democracy, with anger over police brutality fuelling a cycle of violence. The protests are Hong Kong's biggest challenge to Beijing since its return to China in 1997. If We Burn looks at the movement through the eyes of Hong Kongers whose fates, like their city's future, now hang in the balance.

In What Makes a Woman, Munroe Bergdorf sets out to explore the changing world of gender and identity by way of her very own, very personal journey. Showing her in quiet, intimate, and extremely vulnerable moments. An honest insight into gender identity, Bergdorf prepares for a life-changing facial surgery, helping her finally picture herself as a woman.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

The AfD, founded in 2013, is a right-wing party that has become increasingly radicalized in recent years. To illustrate this, only those who enthusiastically joined the party in its early years are heard. They describe what they looked for and found in the party, but also how and why they left, disillusioned and frightened by the AfD's developments. How did they experience the party's radicalization process? How did friends and family react? When and why did they decide to turn their back on the party? How difficult was the exit process? The documentary provides an illuminating inside view of this party, which has been driving the established parties and the political establishment ahead of it for over ten years, gives viewers a unique look into the AfD's chronicle and world of thought and is at the same time a film about the mechanisms of political radicalization.

A film about the close relationship between two brothers. Markus (10) and Lukas (7) live in an old, yellow townhouse in the middle of Oslo. The river runs close to their home. A paradise in the heart of a big city. Here the brothers grow up with their dreams and longings for the future.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

In 2005 Beverly Charpentier declared an oath of allegiance to French writer Catherine Robbe-Grillet. In doing so she gave up her freedom for the rest of her life. The Contract portrays two strong women's unconventional love story, two women who have chosen to explore their love in a unique way, without compromise.

A filmed essay about the painter Bouts.

A troupe of gypsies takes a traveler along with them on their day trip.