A description of some parts of the world - explored, visited, documented, imagined. An abstract attempt at finding them again. The title refers to geographer and civil servant of the Republic of Venice Giovanni Battista Ramusio (1485-1557).
Alexandre Larose creates supernally spectral superimpositions infused with a meteorological mix and the intense lusciousness of the Québec landscape.
Abstract animation by Boris Labbé
A monumental traffic jam serves as the backdrop for the lives of the inhabitants of a Swedish city.
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.
“Both NEW YORK LOFT and DOLL HOUSE convey a strong sense of resourcefulness, this ‘making something’ out of interiors, specifically domestic spaces. And domestic they are, in an avant-garde sort of way. The filmmaker gives plentiful evidence of arranging things, moving them, adjusting, placing and re-placing. First are poles and sticks found; second is fabric, sheets, pillows; in a third section we see round things. Circular magnets, machine parts, film cans and the like eventually become visually paralleled with the camera lens itself. The lens is seen as Barbara films into a round mirror. How different are the visions of this woman-with-a-movie-camera from Vertov of sixty years ago! Each extols the camera-eye, but Hammer replaces Vertov’s sociopolitical kino-truths with adventures in domestic space.” – Claudia Gorbman, Jump Cut
In the woods, a young woman and man scuffle as they fight for life. Gently lit and accompanied with a soundtrack of soaring strings, this film by Jessie Oldfield and Adam Murfet explores vulnerability, connectedness and a renewed sense of self among the autumn leaves.
Extracorpus
A Lynchian depiction of self-transformation in the social media age. Steeped in saturated colour, unnerving cinematography and bold sound design, this chamber piece depicts a young woman’s confrontation with impostor syndrome and racialised beauty standards.
Mirai Mizue set up a camera over a water tray with an illuminated white background (presumably an animation table) and experimented with the flow of aqueous ink over the surface of the water using stop motion animation techniques.
Astract stop-motion short film using "lightning doodles" by Tochka.
An abstract animated film inspired by the work of jazz musician Chico Hamilton.
In this film, Takamori Saigo, known as the last true samurai, comes back to life and wanders around in towns in Kagoshima. A light animation by TOCHKA.
After the Great East Japan earthquake and tsunami of March 11, 2011, I witnessed many changes. Towns were lost in a moment. Children living in Fukushima couldn’t go out and play freely. This work was made from the pictures drawn in the landscapes of parts of Japan. Using the reflection of sunlight, we tried to capture people’s emotion for "energy". Source: CaRTe bLaNChe
Spoons and forks bend and these movements remind you of plants. They are unnatural movements but why can we easily accept them? "Supernatural power" is expressed as a "beauty", not with an occult point of view.
Serlasanha
A mathematical play on one repeated movement. It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.
An epic love story centered around an older man who reads aloud to a woman with Alzheimer's. From a faded notebook, the old man's words bring to life the story about a couple who is separated by World War II, and is then passionately reunited, seven years later, after they have taken different paths.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted.