1848, la révolution oubliée

Za práva ľudu

The film explains the French Revolution of 1848. Bernard Blier's narration is supported by pictures once drawn by contemporary artists including Honoré Daumier. Preserved by the Academy Film Archive in 2010.

Třetí revoluce

The Czech revival movement is divided at the end of the first half of the 19th century. While the older generation, such as František Palacký, urges restraint, students lean towards radical positions. A report on the revolutionary events in Paris prompts Czech Prague residents to write down the demands of the Czech nation for self-determination and the proclamation of a constitution. Tensions peak during the All-Slavic Congress in Prague's Žofín. Vienna rejects the Czech demands and the congress is brutally dispersed by the Austrian police. Prague begins to build barricades...

The film tells the story of a regiment of Hungarian hussars stationed in Poland. The hussars, mostly ordinary men, have heard news of the uprising and wish to return to the homeland to defend the newly independent country. The Empire, on the other hand, is firmly resolved that all Hungarian troops in the imperial army should be kept as far away from the trouble spot as possible, knowing that most soldiers would be loyal to Budapest rather than Vienna.

The revolutionary year of 1848 brought great hopes among the hitherto silent classes, awakening social and national hopes. The response also penetrated the remote countryside, even as far as the Podkrkonoše Mountains. The young shoemaker there began to take an interest in social and political events, and he also experienced disappointment in later developments.

A look at the relationships and rivalries within The Rolling Stones in their formative years, as well as the creative musical genius of Brian Jones, key to the success of the band.

How was the Second World War experienced in Rouveen, Overijssel? This Orthodox Christian village near Staphorst was self-sufficient during the war. And largely isolated from the outside world. The last eyewitnesses of the war, the children of that time, are now all very old. In the Duutsers, residents of the Overijssel village of Rouveen talk movingly openly about their war memories to fellow villager and filmmaker Geertjan Lassche. Their stories are interspersed with historical video fragments and photos from the past. This is how an honest child's view of growing up in a rural village unfolds. How did the war come to the village? Who is that stranger in the village in front of them, that German? And in what those of other strangers? When does unrest arise, and unrest in fear of hatred? What about the Jewish labor camps in the village and how did they view the Canadian liberators?

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

One man's search for joy has culminated in a constant experience of rhythm in the world around him.

The life of the bullfighter Andrés Roca Rey during a day of bullfighting, from the moment he dresses up to the moment he undresses.

Nicole Kidman has worked with a host of top directors in a varied career including Gus Van Sant, Jane Campion, Stanley Kubrick, Lars von Trier and Sofia Coppola. A portrait of a fascinatingly ambivalent actress who shines in Hollywood blockbusters as well as auteur cinema, determined to explore, role after role, the female condition.

Kim Novak never dreamed on being a star, but she became one. Most famous for her enigmatic performance in Hitchcock’s Vertigo (1958), the Chicago-born actress never quite fitted into the Hollywood mould and wanted to do things her own way.

Filmed over two years, this new documentary takes an exclusive inside look at Tony-winning director Marianne Elliott’s creative process of bringing a reimagined gender-swapped production of Stephen Sondheim and George Furth’s musical Company to Broadway during the COVID-19 pandemic. Featuring rehearsal and performance footage, plus new interviews with Elliott, Sondheim, Katrina Lenk, Patti LuPone and members of the original 1970 cast, the broadcast tells the story of the show’s Broadway debut in a city on the verge of bankruptcy to its reimagination 50 years later as both Broadway and New York City emerge from one of the greatest crises in contemporary history.

The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.

On a search for a couple for a love story with sex beyond the 70 Herbert Götzinger sent me to his colleagues sculptor Ludwig Chateau. During my surprise visit with the running camera, asking if he would be willing to do his part, he attacked me: "Is not that enough what they're doing at this moment?" –LM

Pioneer filmmaker J. Stuart Blackton was intrigued by the idea of a film about the history of the movies as early as 1915. He finally released a 52-minute feature called The Film Parade that was shown in New York and favorably reviewed by "Variety" in 1933. He continued tinkering with the film for the rest of the decade, and later filmmakers and distributors used Blackton's footage for stock or to produce their own variously titled and truncated versions. -UCLA Film & Television Archive

A day in the life of a game warden.

Anthology short film with segments by nine directors against Silvio Berlusconi and its Forza Italia party — released ahead of the 1994 Italian general elections, which Berlusconi nevertheless won in a landslide. In Nanni Moretti's segment, he and Silvio Orlando reprise their roles from The Yes Man (1991).

Documentary by Moretti (later to become “Palombella rossa”) about his last competitive waterpolo tournament (1986), accompanied by his voice-over. It narrates the different stages, the character of the coach, the teammates, the final and his last real match, in the open sea.