Winner of Raindance Film Festival's 2012 Halloween Horror Film Competition
A woman consumes water from the sink without realizing the threat she's put herself into.
A man discovers his Christmas tree may be haunted
Jonathan, the doc's director, standing in front of a mirror recalls an event from his childhood, reflecting on the image he has of himself. To do this, he immerses himself in his past. All of this happens extremely fast, like the duration of a thought and the format of a micro short.
After years of prosecuting and torturing innocent women, Hopkins (the self-proclaimed Witch Hunter General) is about to get his just desserts at the hands or rather the magical finger of Winny.
A boy looks through his collection of cars.
Stina and her young son Mateus are in a locker room at the bathhouse. When they're about to leave it's not possible to open the door and suddenly all the staff have disappeared without a trace. Stina and Mateus are trapped together with the rest of the women.
A rube named Pepa (Leos Noha) robs cottages for cash and spends his free time swilling rum at fourth-rate establishments. The discovery of a strange video recording points him to a place where he'll find a treasure of immense value. The mysterious place in northern Bohemia, however, awakens avarice far and wide and, seemingly, it's got a plan for all those who turn up.
Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.
Women are offered as a sexual sacrifice to the Devil.
Jozef embarks on a journey via a ghostly train to visit his dying father in a remote Galician sanatorium. Upon arrival, he discovers that the sanatorium exists in a realm where time is distorted—his father's death has not yet occurred, as time here lags behind the outside world by an undefined interval. Jozef's experiences become increasingly fragmented and dreamlike as he confronts various manifestations of his father, each representing different aspects of their relationship and his own psyche.
Swimming team coach Wen and her family were living a carefree life, until one of her swimmers commits suicide. Now with secrets coming to light, and her autistic daughter playing with an invisible boy, her life takes a dark turn.
Comedy drama about a group of city dwellers who arrive on the island of Skerra to view the local lighthouse, little knowing that all who set foot in it are cursed.
Working hard to support her daughter, Monica is a single mother trying to make ends meet while trapped in rural poverty. From years of struggling and feeling confined, she becomes anxious that she still has a chance to leave. But the surroundings begin to take hold as she gets caught in threatening circumstances. She starts to feel suffocated and loses trust in the people around her as the desire to leave and obtain a better life for herself and her daughter becomes more perilous.
A ghost horror about single mother and nurse Natalie who falls mysteriously ill and struggles to stop her family from being destroyed.
Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.
A film crew go in search of Nok Phii - a rare bird which feeds on the blood of other creatures.
Stephen Royds arrives at an old house announcing that he intends to buy the property, much to the surprise of its solitary occupant, caretaker Mrs Parks. The house has been all but abandoned since its previous owner, Gerald Harboys had been committed to an asylum for the apparent murder of his wife Muriel on their wedding night. Harboys had been obsessive about the physical perfection of women and, discovering that Muriel had had her right middle toe amputated as a child, had murdered her. But her ghost is said to still haunt the old house.
A man wakes. Is he alone?