Autumn thoughts

In the small town of Rockwell, Maine in October 1957, a giant metal machine befriends a nine-year-old boy and ultimately finds its humanity by unselfishly saving people from their own fears and prejudices.

Experiencing extreme sleep deprivation for months, a young man tape-records his memories for preservation against sinister, clandestine watchers.

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

A young man roams the streets of Caracas.

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

His school is closed. There are no other children on those mountains. To keep studying, this young kid must go to another place - unknown place. He finds haven in places he knows. Deep into autumn and this caterpillar still not a butterfly

Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.

A documentary about the sea and memory. Its movement is its form. Its strength.

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

When Devan’s ex-girlfriend, Skye, knocks on his door with unmerited forgiveness and sexual desire, his naive lust leaves him too late to discover the monster which lies beneath her skin.

An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts

Two robots embark on a quest to become human.

Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.

A short experimental film, exploring the concept that one small change can have a profound impact on a person's life.

The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.

When Callie returns home, she finds her hometown has changed - her first love has a new girl and her family's BBQ restaurant has hit hard times. She clashes with a marooned bigshot director who might hold the key to saving the restaurant.

Recuerdos de Extremadura is a film essay about memory and the act of filming, where reality and fiction mingle in a sea of memories. In 2018, the director attempted to shoot his first film, The Third Woman, in Cáceres, with his friend Amanda Toro as the main character. However, the project remained unfinished. Years later, this experimental medium-length film returns to those images, confronting the filmed material with the distance of the present. What emerges is a reflection on cinema and memories, on cinema as trace and absence.

10 years after a young girl goes missing on Halloween night, her sister returns to their hometown to look for answers. Along the way she becomes entangled with two mysterious identical twins who run the town's roadside haunted house.

I started from the assumption that the discourse about the hospital could be the objective pretext for communication between two people, the link that allows them to continue writing to each other, the intermediary between two desires.

Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.