Baptiste Lecaplain et ses potes
A girls'-night-in dinner party among three friends turns into a disaster when one of them makes a hurtful remark.
Le Kangourou
Le grand show des humoristes - Spécial femmes
Hakim Jemili : Super
Elisabeth Buffet : Obsolescence programmée
Carte Blanche à Anne Roumanoff
When comedians draw on the family to make people laugh, everyone is concerned. This documentary looks at everything that is horrifying or hilarious in the family: from the "new generation" fathers to the dictates of the perfect mother, as well as the taboos of parenthood, unmanageable teenagers, and unbearable mothers-in-law.
Nora Hamzawi : nouveau spectacle
Le grand gala de l'humour politique 2021
Montreux Comedy Festival 2021 - Le super bal d'Alex Ramirès
Le Grand Show des humoristes - Spécial couples
How far are we willing to go to satisfy our desires, save face, or defend our territory? Camping Sauvage is a dance theater performance aimed at young audiences that tackles the issues of coexistence and cultural diversity in a lighthearted manner, without shying away from the subject's complexities.
Boxing scene between two cats held by their master.
In the early 1970s, Pompidou-era France, and soon Giscard d'Estaing's France, began to break free thanks to a few irreverent figures. Daniel Prévost, Pierre Desproges, Jean Yanne, Bertrand Blier, Patrick Dewaere, Gérard Depardieu, Miou-Miou, Coluche, Michel Polac, Professor Choron, and many others: all contributed to a culture whose influence still resonates with today's comedians. This documentary delves into this bygone era that gave birth to the new French irreverence.
Two crash pilots from BravoAir have to fight crime with their dim-witted mechanic, the beautiful daughter of a beaten-up police inspector, and the mechanic's 15-year-old godson. Not only are the three of them and the little one clumsy, but so are the gangsters and the police.
In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.
Kutlu and Müjdat, who live lives deprived of everything, including their surnames, and live their lives as they please in their daily jobs, realize that they need to get their lives in order when they fall in love, but this will not be easy for them.
A movie buff desperately wants to enter a theater to see a Fassbinder film but the doorman will not let him go because he has no ticket. The film is the confrontation between the two that ends with happy end.