UDRIVE

A romantic drama based on the story of Carley Allison, a promising 18 year old figure skater and singer who made medical history in her fight against a rare 1 in 3.5 billion type of sarcoma.

One evening Grisha dares to approach Polinka, a girl from the neighbouring village he has admired for a long time. They begin to date and all goes well until the day when Grisha’s impudent friend Kostya decides to ridicule Polinka in public.

A gay couple has been in an open relationship for seven years. But when one of them proposes on having a more exclusive set-up, will the other give in to keep their relationship?

“Are you a man or a mouse?” asks the bandy trainer? Viggo answers with doubt but the team chant “MEN!”. After training, Viggo and Noel go home to Noel’s house and have a sauna. The friends start to compete on who is most manly, a tough competition where no-one really wants to be tough.

When Andra, a diagnosed psychopath, receives a love letter from Sadie, an undiagnosed love addict, her natural state is shaken as she confronts the dull prospect of romance.

In a youth correctional facility, Joe is preparing his return to society. But William’s arrival turns his desire for freedom into desire of another kind. Behind fences and cell walls, passions begin to play havoc with the need for liberty.

The boyfriend of a handsome photographer tries to deal with his jealousy after finding nude photos he took of a gorgeous model.

It is a Georgian short film that tells the story of the love between two young people.

Victoria falls in love with a girl with whom they cross paths. Judith finds something unique in her and they decide to create a relationship, although Victoria fears the conflict that will arise at home and its consequences.

In 1945, beneath the oppressive shadow of the Francoist dictatorship, Juan, a university teacher assistant, meets Manuel during a chance encounter at night in a park. With their initial reservations, a complex love story unfolds between them, shaped by the turbulent political climate and the misunderstanding of those around them.

Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic.

Jane, a structured travel agent in Helsinki, lives a comfortable life with her longtime boyfriend Mikki, a struggling actor. When Mikki proposes opening their relationship to reignite lost passion, Jane reluctantly agrees to attend a sex-positive retreat. There, she meets Valma, a confident, free-spirited woman deeply rooted in the polyamorous lifestyle. Drawn to Valma’s openness and emotional clarity, Jane begins to question the limits she’s placed on love and connection. As their bond deepens, Jane finds herself navigating unfamiliar territory—desire, jealousy, and self-discovery—while her once-stable life begins to unravel. What began as an experiment in freedom becomes a profound turning point that challenges everything Jane thought she knew about relationships.

After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Across the country, an engaged woman becomes convinced that they belong together, despite their never having met. Will their paths collide despite the odds?

When his older boyfriend loses interest in him, the filmmaker relocates to Chicago and uses dating apps to cast new lovers in an amorphous project that his mother hates.

A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.

A nonfiction fairytale about love, death, art and the letting go.

March 2020. The roomates leave with their families and Artur is left on one's own thinking that this lockdown will only lasts fifteen days. In the apartment next door, Cèlia lives in a similar situation. In these difficult moments they begin to become close, but always keeping in mind that she has a partner.

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.

Nabou, an Afro-German slacker, desperatly wants to win back her club kid ex-girlfriend Katja. Nabou becomes a housekeeper for Katja's neighbor, Kim, who is a workaholic that is striving to become a partner in an advertising agency. A refreshing romantic comedy with the ingredients of a classic lesbian feature: whimsical sexiness, mistaken identity, and general madness and mayhem.

Friendship between two old men becomes love. Slightly-unkempt, tired, and frail, Philippe Lanctot moves into a rest home. The administrator says she wants him to be happy, but that seems far from his mind: he's waiting to die. Then, into his room, unannounced, rolls the voluble Victor Laprade, who draws out Philippe over the next few months. Victor gives Philippe the gift of experiencing the moment. In return, the well-heeled Philippe organises field trips to dinner and to a botanical garden, and, unknown to Victor, becomes the man's benefactor when Victor's children get stingy. The openly-gay Victor also pushes Philippe to acknowledge feelings he's always kept suppressed.