Dois passos na mesma poça

Human, Tears, Art

A young man performs 'pranayama' sitting against a bleak wall. We observe him through a frame that seems to be connected to him in some way. As we go on to witness the nature of the frame, will the images presented to us be able to convey his intentions, thoughts, and ultimately, his fate? This experimental feature film is comprised of 7 parts of black and white imagery with no sound at all.

Through the eyes of director Emma Becker, “F*ck It, We Fall” delves into the beauty, oddities, and awkwardness that comes with the fall season..

Whether you’re a devoted disciple looking to relive treasured memories of the GHOST live spectacle or among the curious uninitiated, RITE HERE RITE NOW will put you right there: putting your phones down and living in the moment—as a shadow of uncertainty looms—completely spellbound and in the thrall of this bombastic yet intimate cinematic portrait of GHOST.

'Ad Meliora' (translation: Towards Better Things) is an experimental short film about the struggles girls go through growing up in a male dominated society.

Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.

A poet's muse calls on his inner child to save their relationship.

A mentally unstable teen transforms himself into a clown to deal with and mask his own disturbing, nihilistic worldview and deteriorating mental health. the further the film continues, the more prominent his descent into madness becomes.

A Stone Story

MiniDV visions portraying the anguish of a curious artist who becomes obsessed with replicating images of a woman he sees in his dreams.

A spoken word piece about an autistic person experiencing sensory overload in a world that rejects their existence.

A film about using nature as a way to deal, cope and escape depression, a sense of melancholy and loss clouds over the film.

DEAR ROBERT_

Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.

Years after the crime, three clueless investigators discuss the disappearance of a young tourist in a small French town.

Atali'i O Le Crezent (Sons of the Crezent)

Inundated by the relentless, breakneck pace of Seoul, a weary woman seeks to anesthetize her misery with alcohol and partying. Longing to break free, she will have to take a leap of faith to find solace and serenity.

After a woman comes into contact with photographs from an archive, she reflects on her existence through her memories and the memories printed on photographs.

Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.