Dois passos na mesma poça

A young man performs 'pranayama' sitting against a bleak wall. We observe him through a frame that seems to be connected to him in some way. As we go on to witness the nature of the frame, will the images presented to us be able to convey his intentions, thoughts, and ultimately, his fate? This experimental feature film is comprised of 7 parts of black and white imagery with no sound at all.

A young girl is found dead off the Venezuelan coast. A medical examiner tries to determine the cause of death before the body is repatriated.

Three ancient heroes encounter the spectres of their dead loved ones and struggle to let them go.

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

Italy, from the '50s to the present day, told through the eyes of generations of children captured in Rai's (Italian public TV) archival footage.

Alex returns to a lifeless home that she ran away from at a young age. Once home, she begins filming a video about her past life but begins to question why she is putting her misery on display instead of doing what makes her happy.

Picnic

After a woman comes into contact with photographs from an archive, she reflects on her existence through her memories and the memories printed on photographs.

An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

Isaac travels to Mount Moriah with his father to make a sacrifice to God.

Over the course of 24 hours following a murder, a criminal descends into paranoia, where guilt, fear, and reality slowly blur.

Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.

A former leader in the Black Lion Party for International Solidarity shares his story of found family, loss, and transcendence. Shot over the course of two months, this short documentary provides a glimpse into the dynamics of modern American revolutionary movements. Jeremias' film captures a very brief, but important period of transition for the Black Panther Party in the 2020s.

Some bonds transcend time and others shape our fate. When two strangers with different experiences with love meet on a random day, they both try to find a middle ground in their clashing perspectives.

Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.

In March 2020, an Argentine woman flees New York with her Peruvian husband for his family’s empty beach house outside of Lima, whereupon an unplanned pregnancy precipitates the destruction of her marriage. In the present, she rips the moments of this narrative from their context, and reconstructs her story to reckon with her profound feeling of loneliness and the experience of time in which it has trapped her.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Tudo o Que Não Sabemos Sobre o Outro

El afán de JD