A group of feisty, talented young performers pool their resources and buy a dilapidated theatre to showcase their acts – but unscrupulous property developers also want the theatre and resort to dirty tricks to disrupt the first night's performance!
After the death of her father, whom she never knew, a young woman finds herself at the head of a large company.
After being confronted by two goons and a wise tweaker, 22-year-old Simon Vertugo forgets himself and his heritage.
A suburban American woman inherits her grandfather’s Mafia empire and, guided by the Firm’s trusted consigliere, defies everyone’s expectations, including her own, as the new head of the family business.
Anne Merz wants to start an event agency with Jonas, the new man at her side. Unfortunately, she doesn't have the money, so her premature inheritance is to be decided at a notary appointment with her father Ludwig, who suffers from dementia. To the horror of Anne's unsuspecting mother Maria, Ludwig drops a bombshell at the appointment: There is an illegitimate daughter who is also entitled to the inheritance. Of course Anne is not going to take this lying down. She steps into the ring - for her money and for her father's love. While ex-husband Erik and his parents Renate and Günter get heavily involved in the family quarrel, son Leon is in trouble with his wife Soraya and her ex Rico.
Mismatched cousins David and Benji reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the pair's old tensions resurface against the backdrop of their family history.
Maurice Vallier, nicknamed "Ma Pomme"(which means "myself" in slang), is a cheerful man, well aware that money does not make happiness and who, of all things, prices freedom. Which is why he has become a tramp and he has never regretted his choice of life. Things go smoothly until the day he inherits a huge amount of money. He first refuses it but changes his mind when he realizes that thanks to the inheritance he can help others. Even more enticing is the fact that he must share the big money with a charming air hostess. However once he deems he has done enough good he gives up the money left and resumes his old lifestyle singing along "Ma pomme c'est moi, j'suis plus heureux qu'un roi..."
Maximin, priest in a little village in the South-West of France, inherits from his brother a brothel in Thailand, although he's always been told it was a very strict catholic school. The journey to Asia is full of surprises (a plane hi-jack, pirates...) and once in Thailand, Maximin is taken into 'political' turmoils.
Suryabhan Tanaji Deshmukh, the sarpanch of Kharbujewaadi and an ardent follower of Shivaji Maharaj, tries his best to restore a decaying fort.
What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.
A woman inherits a house in her ancestral village, but she's unaware that members of the community have been trying to locate and kill her to remove the curse that has plagued them for years.
Three classmates talk about the Way of Santiago and the Galician heritage.
After their mother dies during a violent break-in, two siblings move in with their estranged father discover their family's sinister heritage.
A teenager, disinterested in her Louisiana Creole heritage, finds herself having to entertain a visitor who only speaks what sounds like French. She’ll discover how magical it can be to connect with one's heritage.
Kerstin floats stoically across the Mecklenburg Lake District in her red GDR kayak. Aimlessly, between tourism and dreariness, she glides over the water for days, striving to remain alone. The many rivers and lakes are familiar to her. But where does Kerstin come from? What is she fleeing from? Who is pursuing her? The evenness of this journey breaks when Alima appears, finally asking the paddling loner the right questions.
"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.
A young Japanese-American girl struggles with discovering her identity, heritage, and the loss of her connection to her past in the context of the Japanese-American Internment during World War II.
Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.
At 88 years old, Ofelia reflects on her life under the attentive gaze of her grandchildren. Family, love, disputes, adventures, and tragedies. A story brimming with characters that, as a result of the passing of time, leaves Ofelia as the sole witness to recount it
Motivated by family memories, a filmmaker returns to the land of his mother to reflect on his identity and deep cultural heritage.