The Nazis decided to awaken the dark forces of the Old Prague legends in order to use (and abuse) them to destroy the world. The only one who can stop them is Perak.
In a world beset by peril, will good prevail? —- an animation set in space.
Capturing life through the lens of a dream, Albert explores the evocation of the subconscious mind through the vivid visualism and dynamism of images.
As two old men fish by the jetty, they begin to remember their kampong days.
Why did you draw? How did you begin to draw? Why did you stop drawing? How did you go back to drawing? Will you keep drawing?
The Big Sister - a person of colossal size - is trapped in sand in a deserted landscape. With no way to take care of herself, this burden falls on her resentful little sister.
This short film is a diploma of a student of the Higher Art School of Vaclav Gollar. Its main theme is dreams, so the plot immerses the viewer in a fantastic world, devoid of the traditional logic of everyday life. The film uses several typical dream motifs that usually provoke panic in the sleepers. The characters find themselves in uncomfortable situations, and as the story progresses, the drama of the events increases more and more, exacerbating the chaos.
Join Eric and Lyn, a pair of armchairs who discuss the politics around Britain today. As this country is going through a real shift at the moment –what better time is there to record the thoughts of two elderly British people, to highlight this, than now?
John's first independent work from 1989. Won Best of Fest Shorts at the Cinequest Film Festival, CA. The film is comprised of highly rendered drawings with very little moving parts to tell a complex story of relationships "gone to the birds".
A character is inside a cubical room; there is a hole in the roof, which is too high to reach. But pushing on the walls distorts the room in various ways, always appearing to bring the hole closer while still leaving it tantalizingly inaccessible.
A story of the restoration of land after major destruction.
After a magic bell from Tibet is stolen, a little girl and an elephant undertake a dangerous journey to bring the bell home.
It’s a story of a girl dreaming of a fuller life. With the help of a kind stranger, she has to overcome her fears. Her trepidations may appear absurd but are far more serious in their nature.
In a deserted rich house, a couple of amphibians explore their surroundings and follow their primal instincts.
In a world where water has special powers, a couple picks flowers throughout the forest to put them in a very precious place.
Independently produced cel-animated film produced by U. Manabuken of Kyushu University, with the cooperation of Manabuken at the time and volunteers from the Animation Research Institute and others. Completed in May 1984 after about 2 years of production. Total number of drawings: approximately 2,000. The work is full of passion for depicting the action of beautiful girls and effects such as explosions and rock splitting, and is a tour de force in terms of drawing and backgrounds, as well as experimenting with filming techniques such as double exposure, transmitted and incidental light, etc. The story, however, is forced, or should not be considered in depth.The extras include some of the settings and moving images, some of the lost cuts, test and play videos, doodles, etc. As the extras, it was introduced in the Dec 83 issue of the animation-related magazine Fan Road
The film is based on the classical painting by Vincent van Gogh. The painter wanders through the landscape of his paintings a watches scenes from rural life. In the end he gets invited to a country house where he sees the potato eaters. The suggestive film honours van Gogh’s handwriting but shifts it to black and white.
A stupid insect, at the lowest level of the food chain, endures its position as prey in the forest. But suddenly, the established order is overthrown. The insect provokes a sequence of accidents of increasing importance.
A cryptic young creature takes the train from Dublin to Sandycove, confronting ideas of a splintered self-image, loneliness, and being seen in a fundamentally blind world.
Cecílie