Mysterie-buffa

Merlin aneb Pustá zem

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

Láska ke třem pomerančům

The last vestiges of a family that has gone from cherry season to sorrow... Madame Ranevskaya is a spoiled, aging aristocrat who, upon returning from a trip to Paris, must face the loss of her magnificent Cherry Orchard estate after defaulting on her mortgage. In denial, she continues to live in the past, deluding herself and her family, while the magnificent cherry trees are chopped down by the new owner Lopakhin, her former serf, who has his own agenda.

Lily DaCosta is a Hollywood movie star of the 1930s. Capricious and unbearable, she leads a scandalous life and makes life hell for everyone around her. Then along comes Deborah, her twin sister, a puritanical and shy farmer. The two sisters look so alike that when they swap lives, they lead a crooked journalist, a husband in need of money, greedy servants, and an ex-husband who has escaped from Alcatraz into a whirlwind of hilarious misunderstandings. Created for the stage in 1985 by Jacqueline Maillan, Lily & Lily has become a legend of boulevard theater.

Le Prête-nom

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.

David Ireland's award-winning dark comedy about sectarian hatred in Northern Ireland. Eric Miller, a Belfast loyalist, mistakes his five-week-old granddaughter for Gerry Adams.

"Vanity of vanities, everything is vanity" says the bible. The word flows from the tongue naming the pleasure of earthly life and judging it as beautiful, but shallow and useless; vanity is a deadly sin. A female sin. The man painted the woman, put a mirror in his hands and called it vanity. The woman in representation admires herself, but the one who really admires her body is the artist. Whose vanity? In VANITAS, we re-divide the woman in our bodies, showing the depth of what is palpable. If the Father's temple hides after death, clean and perfect, we reject them. We welcome Mother Nature in us, life-death in a perpetual sacred cycle, also honoring her dark face. You may wish to reach heaven, but it is on earth that your knees fall.

Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.

Le Tombeur

After the King of Far Far Away dies, Shrek and Fiona are to succede. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, he and Donkey set off to bring him back to rule the kingdom.

Černošský pánbůh a Cikánská Carmen na Chmelnici

Hráči

Blázinec v prvním poschodí

Theater play "George Dandin" played by the "Comédie française" in 1999.

A young black artist leaves his Los Angeles digs and travels to Europe to find himself. A theatrical stage production of the original Broadway musical.

A professional card player and swindler, Icharev, arrives in a small town with a plan to rip off some local jackdaw if possible. However, a trio of local, experienced swindlers have the same plan. They want to play cards with Icharev, but they immediately recognize each other's personalities. The fun continues, but the group regrets that they have no one to play with. There is a local landowner, Glov, but he avoids cards like the devil. And yet he is waiting for two hundred thousand rubles from the bank for the sold piece of land. Of course, the gentlemen will not miss their chance... A recording of a theatrical production by the Drama Club in Prague.

Filumena Marturano is a former prostitute who has been living for years with Domenico Soriano, a wealthy Neapolitan pastry chef who was once her client. To force Soriano into marriage, the woman pretends to be dying in order to invoke a "deathbed" wedding, but the charade fails and Don Domenico tries everything he can to annul the sacrament. Filumena is forced to come clean.

In occupied Paris, an actress wed to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.