Ep.01 My wife's healing Yumi and Hyun-tae are on a journey of reconciliation overnight to overcome bourgeoisie. Eating dinner together I'm going to join the couple who stayed in the next room. Jae-yong informs Lee Hyun-tae that he can overcome boredom ... Ep.02 Soap Scent Eun-su, who was tired of her boyfriend, told a Chinese housekeeper I am at a glance, and both of them cross over the lines I should not cross ... EP.03 Singularity Family The family of Sehun, who is reconciled with other family members, enjoys each other's private life in the evening. Sehun went to the bathroom in the middle of the night and witnessed a scene he could not imagine Sehun himself confesses his family to the absurd fact ...
An underground horror anthology featuring short films with themes of necrophilia.
A battered and mysterious VCR...A bevy of lethal video- tapes... These are the building blocks of horror in "DEATH BY VHS". A mind blowing descent into madness and death. Five shocking vignettes, designed to take your sanity and devour your soul! Mild curiosity leads to severe consequences when a couple rents a supposedly cursed video cassette recorder. An urban legend renowned for leaving a trail of agonizing and torturous death. Unbelieving, they take the plunge... And another legend is horrifyingly born... Do you dare give fate a winning hand, and test yourself against the hellish consequences of the VHS machine? Insert Cassette Press Play...DIE!
Queer Boys and Girls on the Shinkansen brings together ten filmmakers and artists who consistently affirm what it means to be gay or lesbian in their work. Habakari chose ten filmmakers to make a five-minute work each, developed around a gay or lesbian theme, and compiled the resulting shorts in random order to create this omnibus film. The result is a queer film, by queer filmmakers, for a queer audience. Each short is its own short story, and the styles range from drama and experimental film and animation. (2024 complete version includes all eleven films, 65 mins.)
Step aside Crypt Keeper, there's a new GHOUL on the block! Dean of the Dead's Holiday Horrors is a horror anthology featuring 8 grizzly tales, brought to you by the horror host with the most, Dean of the Dead. A modern take on classics such as Tales From the Crypt, Creepshow, Goosebumps, Bodybags and Are you afraid of the Dark. Colourful, campy and tons of gruesome fun!
The infinite playground of forbidden worlds and dangerous lifeforms offered by the sci-fi horror genre will lead to the biggest, maddest, bloodiest V/H/S ever.
A thirsty teenager's home video leads to a series of horrifying revelations, harkening back to the final punk rock analog days of VHS, while taking one giant leap forward into the hellish new millennium.
Three very modern adaptations of Edgar Allan Poe stories. Two old-time pulp writers get together to spin some horrific yarns, only they don't know they are caught up in a horror story of their own making.
A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.
Ryoo Seungwan, Han Jiseung, Kim Taeyong got together to make a 3D omnibus film. It's a 3D vision of terrible realities never far from popular culture today. The stages of its episodes are different with one another. Tragedies and fantasies unfold in the city, the woods, and the future. The 3D technique is used in scenes where the characters have fancies to get over suffering in reality. It's interesting to watch 3D scenes directed by representative directors of Korea, and it's noteworthy in terms of industry that this try displays the possibilities and realities of 3D film in Korea, as well. It's the new vision of KAFA's project, KAFA+
Projektionen der Sehnsucht
What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.
In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.
A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.
A nine story anthology featuring various dregs, druggies, the innocent and the doomed inhabiting a dingy motel room somewhere along Route 66.
Collective screening of the Academy Award nominated short films from the Animation category for 2011. (1) Madagascar, Carnet de Voyage (Travel Journal), Sacrebleu Prod., France, 11 min. (2) Let's Pollute, no company listed, USA, 6 min. (3) The Gruffalo, Magic Light Pic., UK/Germany, 27 min. (4) The Lost Thing, Passion Pic., Australia/UK, 15 min. (5) Day & Night, Pixar, USA, 6 min. (6) Urs, Filmakademie Baden-Württemburg, Germany, 10 min. (7) The Cow That Wanted To Be a Hamburger, Bill Plympton Studios, USA, 6 min.
Four young women are somewhat desperate in their relationships, since their male partners are not the most successful types. But does that mean you have to break up with them? In his fast-paced comedy, Santa YAMAGISHI takes a closer look at romantic clichés and the truths that lie behind them.
A short anthology of folk stories about supernatural happenings in the state of Indiana, produced for WTTW Channel 4 Indianapolis.
An anthology film created under one theme by 3 directors who are creating their own colors in contemporary Mongolian cinema.
Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.