Arthur Jugnot - Moi papa ?

Poiret Serrault - Extraits extra

Chantal Goya, Sur la route enchantée

Dieudonné - En vérité

Champions Rire

Manu Payet : Emmanuel 2

Building her hour-long set around a 16,000-word note kept over time on her phone, Rose Matafeo leans into her insightful and self-deprecating humor to share candid takes on relationships – from dating in her 20s vs. 30s to supporting friends through breakups and the stark differences between herself and her parents at the same age.

Alex Vizorek est une œuvre d'art

Adib Alkhalidey: Québécois Tabarnak

Les Bodin's en folie : La Soirée des 30 ans

Les Bodin's en folie : La suite

Christine Berrou - Trop

Filmed at the Théâtre de la Main d'Or on October 22, 2010. Dieudonné returns with "Mahmoud", in what can be described as "a contemporary artistic testimony with a strong humorous content." He tells us about the incredible events that led him to meet the Iranian president, Mahmoud Ahmadinejad. He takes us back in time and transports us to the 16th century on a plantation in Martinique to discuss the courteous relationships between masters and their slaves. He also talks about the all-powerful and revered field of medicine... only to mock it, of course. And it feels good!

Le retour de Richard 3 par le train de 9h24

Redouane Bougheraba - Du Panier à l'Orange Vélodrome

Following a tragic news event, Dieudonné portrays a dozen characters who, in turn, give their version of the story.

From politics to politicians, from the media to the justice system, from your neighbor to even himself, Dieudonné really targets everyone in an uncompromising portrait of our society, tinted with vitriol.

Dieudonné receives his friend Patrick. The latter is in the midst of a depression following his divorce from his wife Sandrine. Dieudonné then comes to talk about couples' problems, romantic encounters, the effects of several years of married life, the role of a parent, children in the midst of divorce. In the course of his development, he even comes to the subject of war, religions, the attacks of September 11. In short, a whole program!

Fimed at the Théâtre de la Main d'Or. Dieudonné celebrates the 100th anniversary of the Law on the Separation of Church and State, which was intended to dissolve sectarianism and lead the Republic toward universalism, only to observe its failure... while attempting to analyze the reasons why with humor.

Patrick and Sandrine Boulard have been separated for several years now. Patrick cannot get over the breakup and breaks into his ex-wife's house one night. She files a complaint. The trial begins. After leading the public to believe that the show had been canceled, on the pretext that he had lost his "license to make people laugh," Dieudonné explains his weariness with controversy and his decision to choose a lighter subject. He thus reprises the character of Patrick, drawn from Patrick's divorce, and has the judge, the lawyers, and Patrick himself speak during the trial. This is followed by a series of sketches dealing, as a whole, with the relationship between men and women.

Calvi Comedy Festival