Petrushka

A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.

When the beautiful dancer Nikiya and the warrior Solor meet in secret, they swear eternal mutual fidelity. However, the High Brahmin, who is also in love with Nikiya, overhears them. He rushes to reveal their secret to the Rajah, who has decided that Solor will marry his beloved daughter Gamzatti. Recorded live, January 2013.

A dramatic, energetic adaptation of Heinz Spoerli's ballet based on Grieg's Peer Gynt by the Zurich ballet. Marijn Rademaker is excellent as the title character, clearly telegraphing the emotional range required. Each of the characters and the dramatic scenes are supported by the orchestral passages and songs provided by Grieg; some spoken word passages extracted from the Ibsen play.

The Royal Ballet Company brings Squirrel Nutkin, Tom Thumb, Hunca Munca, Jemima Puddle-Duck, Jeremy Fisher, Pigling Bland, and Pigwig to the screen doing pirouettes and pas de deux in this filmed ballet production directed by Reginald Mills. The film more properly belongs, however, to choreographer Frederick Ashmore, composer John Lanchbery, and costume designer Rostislav Douboujinsky. This literal adaptation concerns the shy Beatrix Potter and how, when all of the toy animals in her room come to life, she emerges from her shell and begins to enjoy life. Sequences include a rowdy dance with Tom Thumb and Hunca Munca destroying a collection of plaster food, a midnight pas de deux between Pigling Bland and Pigwig, and a corps de ballet of dancing mice.

The first modern-day world premiere of Lully's last ballet-comedy.

A well-composed psychological dance drama of a completely different kind from the usual romantic and sometimes superficial ballets. And an intrusive interpretation of August Strindberg's play.

Jerome Robbins considered the Paris Opera Ballet as his second home after the New York City Ballet. This production in his honour brings together works displaying the infinite diversity of his sources of inspiration and his genius on stage. Be it in the energy of the large-scale Glass Pieces or the intimate sweetness of Afternoon of a Faun and A Suite of Dances, there emerges that rare capacity to make bodies follow the flow in a living comprehension of music. As the celebrated ballet Fancy Free, a veritable theatrical portrait of an era, enters the repertoire, Robbins reveals another facet of his talent.

Eikichi Yamashiro, who is a former contender for the boxing title, works as a manager at a Club Champion owned by his fiancé Natsuko’s father. He lost a title match five years ago as he was besotted by Natsuko, but Eikichi actually cannot give up the dream of the championship. One day, he meets Shuntaro Fuma, who is a punk kid but a promising boxer, and realizes the dream that he himself could never fulfill. Then, they together start to train with the aim of the title. Mari Shiraki is an up-and-coming ballerina under the patronage of Eikichi as well. Eikichi forbids Shuntaro and Mari to be romantically involved with someone during their training, however, they start to go on a date.

This acclaimed adaptation of Tchaikovsky's fabled masterwork from Graeme Murphy and the Australian Ballet tells the story of a famous Russian ballerina who immigrates to Australia in the 1940s, only to find a newly tumultuous life awaiting. Noel Smith conducts the State Orchestra of Victoria, and Vicki Attard, Siobhan Elsmann, Steven Heathcote and Dame Margaret Scott star in this 1994 production. Nutcracker was recorded live at the State Theatre, Melbourne, Sep. 22, 1994.

Don Quixote is a 19th century work, choreographed by Petipa in 1869. Rudolf Nureyev revived it in 1966 and it is his version in La Scala Ballet’s repertoire, much loved by ballet audiences for its winning mix of technical bravura, exuberance and comic touches. La Scala Ballet brought the world of a fantastical Spain brilliantly to life with their sophisticated dance, music, costumes and sets, energetically accompanied by the Queensland Symphony Orchestra, conducted by David Coleman.

Commissioned by Opera North, the Brothers Quay created the installation and film 'She, So Beloved' inspired by Rainer Maria Rilke’s poem ‘Orpheus. Eurydice. Hermes.’ The Orfeo myth is re-told through a combination of art forms; film, dance, music and visual art contained within a contemporary staged installation to provide an intimate sensory experience.

A choreography of Benvindo Fonseca to 19 songs performed live by the music group Madredeus and the dance group Madredeus of Contemporary Ballet of Lisbon. Filmed in Lisbon, at the 'Centro Cultural de Belém', in 29th of June 2006. Madredeus musical group is from Portugal but do not sing fado. His music combines influences of Fado and Portuguese folk music with classical music and popular contemporary music, especially Brazilian popular music (especially bossa nova). The founding members of the group were: Pedro Ayres Magalhães (guitar), Rodrigo Leão (keyboards), Francisco Ribeiro (cello), Gabriel Gomes (accordion) and Teresa Salgueiro (voice).

A story set in revolutionary China, whose proletariat suffers and starves, but refuses to be passive and rises to decisive resistance. Even the artists believe in the victory of the working class, and the symbol of this victory becomes the red poppy, a flower given by a sailor from a Russian ship that brought the much-prized flour to China as a gift to the Chinese comrades.

On Christmas Eve in 1920s Vienna, a young girl named Mary and her brother are visited by their eccentric uncle Albert, who gifts a magical wooden nutcracker that comes to life and takes her to a fantasy world to fight the evil Rat King.

Shannon Davidson and Ashley Shaw at the iconic Royal Opera House in Covent Garden, delving into their thoughts and feelings about the timeless classic "The Red Shoes" to celebrate its 75th anniversary.

The Sleeping Beauty remains, as Rudolf Nureyev often called it, the 'ballet of ballets'. It is the most accomplished and the most brilliant, as well as one of the most spectacular of the 19th century, and the most representative of the 'noble' style of classical dancing. Performed by Opera National de Paris in 2000.

Acclaimed Ukranian dancer Svetlana Zakharova, who later became one of the youngest ballerinas in Moscow's Bolshoi Ballet, stars in the title role of the famed Romantic ballet "Giselle," recorded at the Teatro alla Scalla in Milan in April 2005. The production, with a libretto by Jules-Henri Vernoy de Saint-Georges and Théophile Gautier, and music by Adolphe Adam, also features La Scala star Roberto Bolle as Albrecht.

Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. The magician Drosselmeyer transforms the drawing room into a battle between mice and toy soldiers. During the battle, Clara saves the Nutcracker’s life – so breaking a magical spell that turned him from a boy to a toy – and the Mouse King is defeated. In celebration, Drosselmeyer sweeps Clara and the Nutcracker off to the Kingdom of Sweets, where they meet the Sugar Plum Fairy and take part in a wonderful display of dances. The next morning, Clara’s adventures seem to have been more than just a dream.

An ancient family feud casts a long shadow over the town of Verona. In this hothouse of tension, brawls are quick to break out and both sides get caught in the crossfire.

The Royal Ballet performs a production of Kenneth MacMillan's ballet: Manon. In decadent 18th century Paris, the young, beautiful and naive Manon (Tamara Rojo) is torn between a life of privilege and luxury with the wealthy Monsieur GM or love with the poor student Des Grieux (Carlos Acosta). Manon has become one the Royal Ballet's signature works since its creation in 1974.