Sacha Runa Yachay

Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.

This documentary examines the battle strategies of citizens, scientists, loggers, environmentalists and First Nations people who are fighting over the liquidation of public forests and, with it, a way of life.

In the Bella Coola Valley, a haunting legend endures through generations as a filmmaker reckons with whether the stories of her ancestors can survive being held or if they were never meant to be captured.

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.

For over 50 years, the Kahnawake Mohawks, of Quebec, Canada occupied a 10 square block area in the North Gowanus section of Brooklyn, which became known as Little Caughnawaga. The men, skilled ironworkers, came to New York in search of work and brought their wives, children and often, extended family with them. The story of the Mohawk ironworkers is an important one and is one that has been told and continues to be told through documentaries, newspaper and magazine articles. Yet the stories of Kahnawake Mohawk women who lived in Brooklyn have gone untold.

Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.

This Peabody Award-winning documentary from New Mexico PBS looks at the European arrival in the Americas from the perspective of the Pueblo Peoples.

The Europeans want to be forgiven for the tragic colonial period. The aborigines try to preserve their ancient roots from the present and the future. In the North Territory.

A botanical expedition in Ecuador's Amazon becomes a medium for an indigenous Huaorani community to remember the genocidal colonization it suffered in the 1960s. Meanwhile, a group of ecologists from the capital tries to stop oil exploitation in the last remaining forests where the isolated Huaoranis still live, who to this day refuse to come into contact with civilization.

Folk music icon Buffy Sainte-Marie became internationally renowned with her protest song "Universal Soldier." In this short documentary, she candidly discusses her hopes, creative vision and songwriting skills, as well as her role as an Aboriginal activist. Still a vibrant artist fifty years into her career, she keeps her eyes set on the future.

In Ecuador, in a single day, the train passes from the mountainous Andes to the tropical coast. The roads were built between 1861 and 1908 to connect the country. Until this date, the two regions live as separate countries, although the roads connect them in less than a day. The film is an observational work that talks about space and collective memory.

The Shipibo-Konibo people of Peruvian Amazon decorate their pottery, jewelry, textiles, and body art with complex geometric patterns called kené. These patterns also have corresponding songs, called icaros, which are integral to the Shipibo way of life. This documentary explores these unique art forms, and one Shipibo family's efforts to safeguard the tradition.

The imagination of history in Ecuador never thought that oil, “its redeeming hope”, discovered in the Lago Agrio No. 1 well, was going to mean the beginning of the worst environmental catastrophe on the planet. Thirty years of operation and exploitation of the Texaco company, forever transformed the rivers and estuaries, the forests and the life of the indigenous communities in the northern Amazon of Ecuador.

The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

Death is an intimate experience, and how we lay our loved ones to rest, varies between cultures. KAPU: Sacred Hawaiian Burials sheds light on the ongoing battle by Native Hawaiians to protect burial sites across the state and the iwi, or sacred bones, that are within them.

Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.

This film takes us on an emotional journey from sacred ground above Byron Bay to Antarctica, Indonesia to Pakistan, and is sure to light a fire under the strongest climate change denier. THE POWER OF ACTIVISM focuses on six highly spirited female activists as they are put under the microscope to ascertain the financial impact of their environmental solutions… and the results are astonishing. From shark conservation to indigenous practices, intensive farming to plastic pollution; all their ‘causes' fall under the umbrella of "climate change", but they should also fall under the umbrella of "saving tax payers hundreds of millions of dollars!”

Cuviví is the Ecuadorean indigenous name for the upland sandpiper, a wading bird that has special significance for the communities living around the Ozogoche lakes in the middle of the Andes. Each year, these birds migrate south from North America. Around September they pass the Ozogoche lakes, where large numbers then “commit suicide,” plunging from great heights into the ice-cold water. A girl lives near the lake. Her uncle lives in the US, and she might be heading there herself. In the meantime, she awaits the arrival of the cuvivís, few of which have appeared in recent years. The lakes are drying up.

In November 2024, two Indigenous ranger teams set out on a 1,900-kilometre journey from the remote community of Bidyadanga in Western Australia to Uluru. Their destination: the largest gathering of Indigenous desert rangers in Australia — the Indigenous Desert Alliance Conference.