Execution of Czolgosz with Panorama of Auburn Prison

A young South Asian woman lives in London with her husband and in-laws. Being miles away from her own family, in an alien city, she is forced to undergo sex-selective abortion against her will. The film becomes a psychological portrait of hers, while she has to deal with personal fears, long-standing cultural norms as well as other people's desires.

A short narrative funded by Film Independent, My Dear Americans is about a Sikh woman’s defiant spirit. A recent immigrant to the U.S, Tejpreet is reluctant to embrace her new American identity. In contrast, her husband celebrates everything that mildly reeks of America. On America’s most patriotic holiday, the fourth of July, they have a threatening racist encounter that crushes the Sikh man’s enthusiastic spirit. Witnessing her husband’s devastation, Tejpreet makes a choice against hate and turns the situation around, if only momentarily.

Three friends at a table with a couple of bottles of liquor. One of them introduces the notion of a "pony", an event in your early childhood that is an embarrassment and that marks you for the rest of your life. From then on, revelations about each are made by the other two in an effort to encover such ponys. A more virulent form of the game of telling a secret about yourself.

Fifty seconds of silence, calm and emptiness ... but only in appearance ...

The story, set in the 19th century, revolves around the hot-blooded Jussi, a young farmer, and his friend Antti and their brushes with the local nimismies (sheriff) and the häjyt (badmen). The film, shot on location on the plains of Ostrobothnia, conveys a good sense of its unique landscape. Both Järviluoma and the director, Jalmari Lahdensuo were from Ostrobothnia and the film suc­cessfully expresses a feeling of the true spirit of the province.

Loscar, a dangerous and manipulative guy, seeks to call the attention of the media to carry out his dark ends.

La Lumière du phare

Alberto resorts to disturbing and extravagant practices to break through the shell of his loneliness and fulfill his desires.

In the heart of the American west, a miner toils day after day at his rocker box while his young daughter keeps his camp. His daughter persuades him to return to civilization, where they may enjoy the fruits of their labor. Both are happy in the anticipation of what seems a bright future. While she's away, a desert wanderer appears at the camp, and at the sight of the old man weighing his gold is seized with cupidity. He himself had toiled long in the wilds, but with no success, so he demands that the old man divide his gains with him. This, of course, the miner decries, and the wanderer uses force to obtain the old man's gold. The wanderer collapses in the desert, only to be rescued by a certain young woman: the miner's daughter.

A man who will pick up his son at school, watches other children take advantage of the child.

A woman whose sister suffers from Bipolar Disorder.

Sessue Hayakawa was making the transition from Asian villain to sympathetic hero in this picture. The plot is a combination of racial stereotypes that were common in the U.S. during the silent era and real-life situations experienced by Asians living Stateside. Hayakawa plays Suki Iota, a student who, while born and bred in America, wants a wife with traditional Japanese values. She appears in the form of Rei (Tsuru Aoki, Hayakawa's real-life wife), a singer who becomes known as the Japanese Nightingale.

An Earl's disowned son becomes a chauffeur, loves a landlady, and is jailed for theft.

In this gleefully anarchic tour-de-force of puppetry, a primal scream class unleashes a man’s inner id - quite literally.

Bleu Blanc Gris

The oddball owner of an assisted suicide center and her hapless assistant have ten days to increase client numbers or face closure by the strict Euthanasia Licensing Board.

A wealthy old man, who has been a semi-invalid for years, is informed by his physician that his case is hopeless. The invalid decides to put "his home in order." Therefore it is a matter of gratification to him when he sees that his only daughter and the young partner in whom he implicitly relies seems to be mutually attracted. The partner is called to Europe just before the doctor gives his verdict, hut the invalid makes "everything all right" in his will. He provides that the bulk of his estate shall go to the girl, if she marries the partner within one year from the hour of her father's death.

Essay on love is, above all, an experimental film. A hybrid of fiction and documentary, it brings reality and fantasy to discuss that which is the most important thing for some, and the least important thing for others: Love. Love is actually in every place and human activity we look at: art, business, advertising, sports, entertaining, religion, education, politics, etc. What is this thing that is so present in our lives? Why we are so desperate in having, possessing, idealizing or despising love? Everyone talks about it. Creates songs about it. Declares themselves to be loving human beings... What do they mean with all of this? "Essay on love" gives you a glimpse on this subject. On how people relates themselves to the concept of love, and as a film, is an attempt to approach this wonderful thing that love is, through cinema.

A kindly shop owner whose overwhelming gambling debts allow a greedy landlord to seize his shop of dusty treasures. Evicted and with no way to pay his debts, he and his granddaughter flee.

In a beautiful garden called Ecos, there are a variety of creatures there who neatly fulfill vital roles in the healthy ecological system of the area. However, this state of reasonable environmental harmony is disrupted when a new species of grub like creatures begin to ravish the land of a needed fruit. This folly leads to the disruption of the environment of the garden while this greed leads to a series of events that have tragic consequences.