The Traitress

A gang of crooks evade the police by moving their operations to a small town. There the gang's leader encounters a faith healer and uses him to scam gullible public of funds for a supposed chapel. But when a real healing takes place, a change comes over the gang. Lost film, only the most famous scene has survived.

A sad story about how a working-class man tries, and succeeds, to become a writer, but finds difficulty in fitting into that world.

Tōjin Okichi is a 1930 film by Kenji Mizoguchi based on the novel by Gisaburo Juichiya. Only 4 minutes have survived. The fragment has been published on DVD coupled with The Downfall of Osen (1935) by Digital MEME in 2007.

A Spanish soldier falls under the spell of a fiery gypsy girl named Carmen. His obsession with her leads to his ruin.

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

Caught off-guard by Indian mutineers, a British soldier saves his last bullet for his daughter, lest she be taken.

The timid youngest son of the most important family in town must use his wits to win the respect of his strong father and the love of a beautiful new woman in town.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.

Come and Swallow is the newest film in the big swallow universe. Being a piss take on the original “The Big Swallow (1901)” and “Come and See (1985)”. When the young boy (Josh Killoh) has his village burned down and destroyed by an army of troops, a few soldiers (Angus Rhind, Finlay Doney and Quillan Hepburn) pose to take a photo with the boy. As the camera man (Finlay Esslemont) prepares to take the photo, the boy suddenly decides that he has had enough of this tyranny and swallows all the soldiers.

A Parisian museum director believes his wife is cheating on him and so places a poisoned cigarette in the box on his desk, thus allowing chance to decide the moment of his death.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

An army pilot is visiting the home of another army pilot in a neighboring country, and falling in love with his sister, when war breaks out.

A melodrama about a painter who is infected with syphilis, refuses treatment, turns to the use instead of narcotics, and withers away.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

Wanting his son to get away from his many girlfriends and buckle down to work, the New York industrialist father of a playboy sends him to an obscure village in Spain to find samples of a rare mineral. When the son gets to Spain, he runs afoul of the local police chief - who has a secret that he tries to keep the young man from discovering.

Jim, a robber, is in love with the chief’s bride Clara, who firmly rejects his many advances. In revenge, he snitches on the entire gang of robbers to the police, who immediately imprison the chief and his men. Clara kills the treacherous Jim and sets out to free her lover from prison. (Stumfilm.dk)

It is love at first sight when Armand Duval meets the courtisan Marguerite. They move in together and live happily until Armands father secretly pays Marguerite a visit to tell her that her questionable reputation has put Armand's entire family in disrepute. She sacrifices herself and leaves Armand, who – in the belief that she left of her own free will – embitters by grief and anger. But destiny wants them to meet again. (stumfilm.dk)

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.