Destruction

Mabel Mack's mother is deserted by her father and the mother dies. All that Mabel retains of her family history is a group photograph of her father, mother and herself, in a locket which she always wears.

The will of old Dr. Andrews left the bulk of his property to his niece, Mary, who was an orphan living in a distant mining town. The small balance of his wealth went to a married nephew, John, who had been practicing medicine with him and was now made the executor of his estate, but who felt that he should have been made the sole heir.

Oliver and Elizabeth wed. He is a famous lawyer, careless of his personal conduct, but has implicit faith in Elizabeth. She is a woman of strong mind, a magazine writer of repute, and believes he should guide himself by the same code that governs her. Two of their associates are profligates, Charles, an artist, and Catherine. Oliver trifles with Catherine and this so embitters Elizabeth, that she pretends to receive the attentions of Charles, although it is made clear that she has remained pure. Nevertheless, she purposely permits her husband to believe otherwise. He has considered her like Caesar's wife, but his faith is shattered. A child is born to her and the father doubts its parentage.

In a small town in Virginia, Faith Corey, daughter of a socially prominent family, meets and falls in love with Jerry Malone, a prizefighter, though her straitlaced mother wants her to marry Siegfried, a spellbinding "missionary reformer." Though Grandma Corey promotes the romance with the prizefighter, Mike, the fighter's hardboiled, wisecracking manager, tries to keep them apart; following a quarrel, Faith reconciles herself to marrying Siegfried, but when he invites a group of "weak sisters" to a revival meeting, he is disgraced when one accuses him of her downfall. Finally, with Mike's advice, Jerry wins back Faith and they are united with the family's blessings.

Disappointed that her daughter has not married into money, a mother meddles trying to make the girl unhappy with life in her new home, the economical housing development known as Honeymoon Flats.

Rosalie Wayne (Talmadge) meets Reginald Carter (Ford) after he introduces himself while chasing her dog with one of his oxfords, and she marries him in haste. Reggie comes down with the measles following a quarrel over her bobbed hair, not knowing he is ill she leaves for Reno and then Europe. After a year's absence and having secured her divorce, she meets Reggie again and finds him engaged to another. Jealousy arouses her to break up the match, but the wedding is progressing before she devises a means of doing so. Reggie, however, is satisfied and glad to be reunited with his Rosalie despite her sharp tongue and unusual method of winning his love.

A romantic comedy, focusing on the love triangle between Bob Jones, Alysia Potter and Polly Meachum. Originally engaged, Bob and Alysia elope to Bowling Green, Connecticut, where they meet Silas Meachum, a campaigner against motion pictures, and his daughter, Polly. The eloping couple’s family arrive, chasing them, and persuade them to wait to get married. Polly goes to New York to join the Ziegfeld Follies, but is ultimately replaced by Alysia. As Bob consoles Polly, Alysia breaks off the engagement, and Bob and Polly may now marry.

Deserted by her husband, John Madison, because he incorrectly accuses her of having an affair, Mary Madison goes to her aunt's house to have her baby, and then loses her memory in a train wreck. John, however, hears that she has died, so he takes possession of their infant daughter.

Ruth Merrill and her father both are serving prison terms but her's is lighter and she is released. She becomes the wife of the wealthy Dr. Richard Boulton, who knows nothing of her past. Ruth's father escapes from prison and the unscrupulous detective, the same one who sent both to prison while knowing Ruth was innocent, is sent on Merrill's trail. A lost film.

A centuries-lasting relationship between Ayesha and her oft-reincarnated true love. She, H. Rider Haggard's fanciful novel about the immortal queen of a lost tribe, has been filmed at least 10 times, with seven versions emerging between the years 1910 and 1930. A lost film.

Bored by her country life and misunderstood by her parents, Emma Rolfe marries Dr. Charles Bovar, an older man whose dedication to his medical practice results in wifely neglect. To alleviate her growing loneliness, Emma enjoys the company of many of the young men from the village and eventually begins an affair with Rudolph Bulwer.

Vera, a woman of questionable character places a wager that she will be able to destroy a happy marriage and inveigle the husband into becoming her lover. She succeeds to the extent of a midnight tryst in the family's home, witnessed by the couple's 12-year-old daughter. Her resolve weakened by the child's piteous pleas, Vera deliberately loses the wager, freeing the sadder-but-wider husband to return to his forgiving wife.

Rich club-man Kirk Rainsford, attends a charity bazaar at the home of Marjorie Vail, the society girl he hopes to marry. A fire breaks out among the booths and everyone is pulled to safety except little Peggy, Marjorie's kid sister. Marjorie pleads with Kirk to save the child, but he lacks the courage, and Randolph Sherman, Kirk's rival for Marjorie's affections, plays the hero part. For Kirk's public display of cowardice, he is disowned by his father and rejected by Marjorie, who soon marries Sherman. Kirk drifts to the South Seas, eventually landing in Manila, where he becomes a derelict. When Lillie, a fellow drifter, is roughly handled in a bar, Kirk goes to her assistance; she expresses appreciation for his bravery and soon effects his regeneration through her faith in him. Kirk and Lillie journey to the interior, and they obtain work on a plantation recently purchased by Randolph Sherman. During a native uprising, Sherman is killed, and Kirk saves Marjorie from certain death.

Officer in the Imperial Russian Army, Petroff, is in love with Sonia, a schoolteacher who casts her lot with revolutionaries. During a time of suppression, she is exiled with her brother to Siberia. There Petroff is sent in the discharge of his official duties and secretly renews their romance. When the Bolsheviki overthrow the government, Sonia is freed and aids in the escape of Petroff, who incurs the enmity of Egor, the revolutionary leader, because he is a royalist. Together they escape across the frozen wastes in a sledge, pursued by wolves and Egor, who has used patriotism as a cloak to conceal personal ambitions.

Ironworker Ned is putting money aside for a rainy day unlike his two sandhog co-workers Bill and Grogan who spend most of their money at the saloon. One day on the job Ned is saved from severe injury by Bill and Grogan tries to convince him to take advantage of Ned’s gratitude to extort some money. Later Ned and Grogan get into an argument and Grogan sworn to revenge attempts to get Bill to drown Ned, but the plan goes awry. Bill and Ned reconcile, eventually becoming business partners, Grogan goes to jail.

Margaret Jarnette discovers that her husband Victor has been cheating on her and confronts him. Outraged, Victor has his lawyer rewrite his will so that in the event of his death, his brother Richard will get custody of his daughter Muriel, and his wife won't. When Victor dies shortly afterward, Richard suspects that Margaret had murdered him and takes custody of Muriel. However, he soon begins to suspect that things may not be quite as cut-and-dried as he thought they were.

The second of Thomas Meighan's three 1927 vehicles, We're All Gamblers was also the first of two collaborations between Meighan and director James Cruze. Based on Lucky Sam McCarver, a play by Sidney Howard, the story concerns a refugee of the Lower East Side who rises to the uppermost rungs of the nightclub world, all for the sake of a "dame." Boxer Sam McCarver (Meighan) falls in love with society girl Carlotta Asche (Mariette Mische).

Compelled to keep house for her father and her younger sister and brother, Martha is deprived of all the pleasures of youth. Ned, who loves her, begs her to elope with him. Martha yields, but while on the way to the minister, decides that her duty lies back home with her father. Heart-broken, Ned leaves for the city.

The picture starts with Robert Warwick walking into the office of director Albert Capellani (the film's actual director). Capellani offers him the role of a heavy and hands him the script. The next four reels show Warwick playing a Raffles-like character, an ingenious crook who moves through society, committing robberies and even murder.

Count Von Herbeck, the chancellor to the Grand Duke of Ehrenstein, is married but keeps the fact secret on account of his high ambitions. His wife, dying, writes him a letter urging him to make their little child a great lady. A lost film.