Her Bitter Cup

A Los Angeles policewoman's partner has her pose as a stripper to lure a killer of strippers.

A naïve but internet savvy 22 year old navigates the reality of her boring, small town Canadian life juxtaposed with the fantasy of her provocative and powerful Instagram celebrity.

During World War I, John Bowman, the captain of a tramp steamer, refuses to allow his wife and daughter Shirley to accompany him on a long voyage because he fears that the ship may be torpedoed. Before his departure, he entrusts his life insurance policy to shipping agent Sam Bullard, who, unknown to John, once courted Mrs. Bowman. Shirley, a clairvoyant, has a vision in which her father's ship is torpedoed, and the next day, Sam reports that the ship has been sunk and John killed.

Upon seeing millionaire Lee Brooks's picture in the paper, Julie Le Fabrier, a romantic young model in Madame Swan's dress shop, immediately falls in love with him. Soon afterwards, Julie is sent to the Grand Tides Hotel to deliver a dress to Madame Ricardo, an attractive young woman whose bills are paid by Lee's lovestruck father, Mason Brooks. Having seen her husband, whom she believed to be in South America, on the grounds, Madame Ricardo deserts the hotel, so Julie dons the gown and masquerades as Mason's mistress.

Angela, a lovely young woman of eighteen, lives with her grandmother in Virginia but knows very little about her mother, Lady Eldone, who after the death of Angela's father, moved to Europe and married an English army captain. When Captain Eldone is reported dead, Lady Eldone returns to the United States determined to marry a wealthy man.

Following the death of her mother Tessa (Pamela Rabe), a young woman, returns after many years to the weather-beaten family home on the shores of Sydney's Botany Bay. But the old family home begins to bring old wounds more and more to life. The story unfolds through flashbacks yet as it progresses the flashbacks merge into the present as it becomes apparent that the situation Tessa has returned to is very much the result of that which passed before.

COME SWIM is a diptych of one man's day; half impressionist and half realist portraits.

An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.

Poor stenographer Gloria Graham believes that clothes make a woman successful in business and as a result she incurs great debts.

Helen Steele, who has theatrical aspirations, has been told by Sidney Parker that, owing to her lack of stage experience he cannot entertain her proposition of giving her the leading part in his new production, "The Siren." Believing that she can get Parker to consent if she is persuasive enough, Helen has her fiancé, Henry Tracey, invite the theatrical manager to the party to be given by John W. Cannell so that she may work upon him. At the affair Helen manages to obtain Parker's consent to give her a trial it she is successful in having Jack Craigen, a friend of Cannell, who has been living in Patagonia for a long time and who is a woman hater, propose to her.

Liam wakes from a car crash with no memory of who he is. As he makes his way into town to look for help, he finds only dead bodies, all with strange pale eyes. Liam's first assessment is that a virus is present in the air, but he soon discovers the horrible truth: anyone who comes within a 50-foot radius of him dies instantly.

Sally Lou, the small daughter of village blacksmith Jim Davis, uses her sawdust doll to take the place of a real mother.

When wealthy Wall Street stockbroker Stephen Duane neglects his wife Julia for business, she consorts with philanderer Bert Brockwell. Finding them in an embrace forced by Brockwell, Stephen denounces Julia and leaves. After losing his fortune in the market, Stephen refuses Julia's offer to sell her jewels, and stays away for one year

This tells of a pretty miss, expelled from a girls' school, who goes in for a harmless adventure. She poses as a slum girl and is taken in tow by a snobbish society girl, who at first befriends and then tries to impose, upon her.

Badger, a clerk at a Wall Street brokerage, discovers that his boss Gideon Bloodgood has swindled an investor, Fairweather, out of his money. Fairweather dies of a heart attack after an argument with Bloodgood, and Badger uses this knowledge to blackmail him. By a strange coincidence, Bloodgood's daughter Lucy runs over Fairweather's son, Paul, and cripples him.

A vampire follows his instincts to a strip joint where he focuses in on one of the performers. He picks her for his meal because she is contemplating suicide, but he wants to share her life before taking it, and during the course of the evening they discuss their differences, their fears, and their lifestyles. As the moment of truth approaches, the woman becomes less sure that she wants to die.

Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings.

A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.

"White Water" is a short drama about lumberjack country. Nell Shipman plays a girl in love with nature and animals. One day she meets a crippled boy, who sings for pocket change. When she finds out that the boy is badly malnourished, Nell Shipman takes him under her wing and finds work for his elder brother. Then one day disaster strikes when the boy, who can't swim, falls into the river and is carried downstream. Nell Shipman jumps in a canoe and paddles frantically to reach the boy before the current takes him to the rapids, where mortal danger awaits.

To ease her homesickness Miriam recreates an aspect of home in her suburban British garden. Cultural memory exerts a healing power, combatting cultural appropriation, hostility towards migrants and the rift between Miriam and her Nigerian-British children.