The Ghosts of Yesterday

A 1917 film directed by Edward José

A 1918 film directed by Charles Miller.

A 1919 film directed by Sidney Franklin.

A 1922 film directed by Frank Lloyd.

Betsy Harlow is a hard-working maid in a boarding house. Her dream. however, is to be a detective, a dream she shares with her boyfriend Oscar, a delivery boy for a local grocer. One day a mysterious character named Harry Brent takes a room at the boarding house. Harry, seeing that Betsy is falling for his rather shady charms, persuades her to help him get a box of jewels owned by the Jaspers, an elderly couple who lives across the hall. It turns out that Harry is not quite who he seems; neither, however, are the Jaspers.

Artist Standish using his wife Mary as his model finishes a painting of the Madonna. When the Connoisseur and the Parishioner inspect the picture, the Connoisseur tells Standish that the model was a one-time paramour. Buying the painting they depart. Standish confronts Mary, who tells him that she believed herself legally married to the Connoisseur. Unbelieving he ejects her and their baby son. Penniless Mary leaves her boy on the steps of a monastery. Years later before becoming a monk the boy is sent to see the world. Wandering into a café he is seduced by Beauty as the other inmates of the place, Lust, Rum, Avarice and Passion dance around him. The proprietor enters; it is Mary. Recognizing the crucifix, she left with him as a baby she persuades him to go back without revealing her identity. After he becomes a priest Mary, now a bedraggled old woman enters his church. She recognizes him and just before she dies her son gives her absolution.

Famous Russian screen actors play themselves in this drama about the lives of actors. Thirteen minutes of the film survive.

Philandering husband George Montfort purchases railroad tickets for a weekend tryst in the mountains with his latest paramour. When his wife Yvonne finds the tickets, George hastily explains that they were bought as an anniversary present for her. Yvonne doesn't believe George, but she decides to use her ticket anyway, while George remains behind in Paris on "business."

Historical drama which features Gösta Ekman as the dashing rogue who steals the heart of the ethereal Mary Johnson.

The criminal couple Louise Kent and Charles Zukor stages a coup in the luxury restaurant Oriental. In the midst of a dance number goes suddenly all the lights out. In the confusion that arises one of the elegant guests is deprived of her jewelry.

A policeman falls for a teacher, and befriends her students. A gang of bootleggers threatens his newfound joys.

A grease monkey discovers a defect in an auto engine being turned out by his employer. But since our hero discovers this only after losing an important race, his boss chalks up the loss to Fairbanks' supposed cowardice.

A peasant girl goes to great lengths to protect her child in 19th century Vienna. The film is considered lost, and only four minutes of footage are known to remain.

A prince makes a socialite think she spent the night in his room.

A 1924 film directed by John Francis Dillon.

A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

Hoping to consolidate their adjoining ranches, Don Fernando and Don Diego betroth their children, Ramón and Dolores, although Ramón is in love with Suzanna, the daughter of a peon on his father's ranch, and Dolores is interested in Pancho, a toreador. When Suzanna learns that she was kidnapped in infancy and is really Don Diego's daughter, she keeps silent; but Ramón finally rebels and steals Suzanna from the altar as she is about to marry Pancho. There are explanations, Ramón marries Suzanna, and Dolores marries Pancho. Suzanna (1923) has been mastered from a good quality but incomplete 35mm print.

A couple of boy gangs in Budapest constantly fight over the neighborhood turf.

Billie Dove, as Elena, pulls out all stops as a Russian princess and a woman-of-the-streets in Paris in an exotic romance and hand-wringing drama set in two countries and the way-stations in between.