The Non-Stop Kid

The daring convict no. 23, known as The Eel, escapes from prison and, after mocking his inept persecutors, saves the lives of three people in peril: a beautiful girl, her mother and an annoying suitor, only to get exhausted and almost drowned. Once he regains his strength at Judge Brown's home, he participates on an upper-class social party where he competes with the suitor for the favors of the charming Miss Brown. But prison guards are still after him…

After literally swimming across the Atlantic Ocean, an Englishman takes a country trip across Canada on a railcar.

On a dark and stormy night, four bored ghosts decide to have some fun by calling the Ajax Ghost Exterminators.

Educational short about the status of battle tanks and tank training in the U.S. Army in pre-War 1941, featuring a comical Army trainee from the Bronx.

In this clever satire of toxic men, a cartoon pickup artist is violently torn apart by the women he targets, seen only through his own one-sided, ridiculously misogynistic point of view. Don Hertzfeldt's first student film, he plays the part of a mentally unwell animator who's losing his grip within his own movie; an idea he'd later revisit in other early "meta" shorts "Genre" and "Rejected". Despite being produced at the age of 18 and not intended for exhibition, HBO named it "The World's Funniest Cartoon" in 1998.

In Don Hertzfeldt's second student film, a hapless cartoon character is dragged through a spectrum of cinematic situations by his frustrated animator.

Lily and Jim are interviewed about their disastrous blind date.

Rigadin and his rival use camera/projector systems to reach their objectives.

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

Grandmother Koba has to take care of her grandchild Emma's digital horse farm.

At Thanksgiving, a tramp arrives in a homeless-hostile town.

Junyer Bear has a number of surprises for Good Ol' Pa on Good Ol' Father's Day, whether he wants them or not.

Bugs Bunny, once again making that "wrong turn at Albuquerque", burrows into a bullring where a magnificent bull is making short work of a toreador. The bull bucks Bugs out of the arena, prompting the bunny to declare "Of course you realize, this means war!" The deft Bugs' arsenal comes plenty packed, as he uses anvils, well-placed face slaps and the bull's horns as a slingshot. The bull fights back, using his horns as a shotgun barrel. The bull's comeback is short-lived; just after Bugs makes out his will, he lures the bull out of the arena, just in time to set up a rube-like device that leads to the bull's defeat.

Julius goes rabbit hunting while Alice goes bear hunting. Alice and her cat learn at their own expense that one shouldn't bother animals, whether those be rabbits or bears.

The hilarious story of a restless young farm-thumb, Loke Groundrunner, and his tasty companion, Princess Bunhead, who go on an quest to combat Black Helmet Man and the Evil Thumbpire.

In the year 2150, Johnny, a lazy Space Delivery Man, must deliver a package on a planet he does not fully understand.

The life of Etienne-Jules Marey, the 19th century pioneer of photography and cinema, famous for studying animal and human locomotion.

An unnamed man is house-sitting for his friend Imogen. Imogen calls to remind him to take her dog Rothko for a walk, but Rothko takes him for a walk instead.

From Richard Gale, mad maker of CRITICIZED, comes a film that will never have you looking at cutlery the same way again. Set-up as an epic-length trailer for an upcoming release, HORRIBLY SLOW... depicts a man's endless pursuit by what has got to be one of the most determined and patient murderers the screen has ever seen.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.