Le voyage de la Veuve
Unassuming catering salesmen Jim Ferguson falls through a time hole to 1917 where he saves the life of dashing Royal Flying Corps pilot James "Biggles" Bigglesworth after his photo recon mission is shot down. Before he can work out what has happened, Jim is zapped back to the 1980s......
Testament of Youth is a powerful story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times.
The working-class Smiths change their initially sunny views on World War I after the five boys of the family witness the harsh reality of trench warfare.
A tale of the World War I love affair, begun in Italy, between American ambulance driver Lt. Frederic Henry and British nurse Catherine Barkley. Eventually separated by Frederic's transfer, tremendous challenges and difficult decisions face each as the war rages on.
A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.
This program provides, through 1st hand accounts & contemporary films & photographs, a rare insight into what really happened. Together with meticulously researched stories, it provides a unique analysis of the Gallipoli campaign, including never-seen before interviews with the last 10 Gallipoli Anzacs, rare film footage showing the beach & trenches at Gallipoli.
The Gallipoli campaign of World War I was so controversial & devastating, it changed the face of battle forever. Using diaries, letters, photographs and memoirs, acclaimed director, Tolga Ornek, traces the personal journeys of Australian, New Zealand, British and Turkish soldiers, from innocence and patriotism to hardship and heartbreak.
Joint montage of the first three silent films about Švejk: Good Soldier Švejk (1926, director: Karel Lamač), Švejk on the Front (1926, director Karel Lamač) and Švejk in Russian Captivity (1926, director: Svatopluk Innemann, model Karel Vaněk). The lead role was played by Karel Noll, who was very popular at the time. The last silent sequel Švejk v civilu (1927) exists independently, but the copy of the film is badly damaged.
In 1917 when the British forces are bogged down in front of the Turkish and German lines in Palestine they rely on the Australian light horse regiment to break the deadlock.
Celebrating the end of World War II and liberation of their city, a group of students is set on holding a cultural evening. They invite Ema, a reclusive piano teacher from the same building, to play for them. Ema declines, but starts reminscing back on her own life and the historical events that have seemingly overshadowed it.
When the Great War breaks out, brothers Roy and Monte Rutledge, each attending Oxford University, enlist with the Royal Flying Corps.
A British Company in the WWI trenches await an inevitable German attack in this 1988 adaptation of R.C. Sherriff's play.
Canada was led to war by a bigoted, ignorant, self-obsessed Minister of Militia, who may well have been clinically insane, but the importance of Canada's contribution in that war owes a great deal to him. The man of course, was Colonel - later made Lieutenant General by his own hand - Sam Hughes. Sam's Army is a compelling portrait of a complex man and the formidable military he built. Sam Hughes was not your standard-issue military leader. Canada's World War I Minister of Militia and Defence concentrated power in his own hands, insisted that the Canadian military use the ill-conceived Ross rifle and liberally promoted his cronies. But there was no denying Hughes was a visionary. He assembled the world's largest-ever volunteer army and bucked superiors to keep his ferocious fighting force together in one Canadian Corps.
A two-hour documentary which recreates for the viewer one of the greatest battles in Canadian military history. The film was made to show that Canadian character at its best, forging an identity for a country that before the First World War had been seen only as a British colony - an identity and a character that became recognized and respected throughout Europe.
General Candy, who's overseeing an English squad in 1943, is a veteran leader who doesn't have the respect of the men he's training and is considered out-of-touch with what's needed to win the war. But it wasn't always this way. Flashing back to his early career in the Boer War and World War I, we see a dashing young officer whose life has been shaped by three different women, and by a lasting friendship with a German soldier.
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
In times of World War I, a group of boisterous young ladies occurs to them that they could help the boys of the front writing letters to them and, thus, becoming their godmothers of war. Madeleine writes to the soldier Jacques Bertin, but, out of prudence, instead of giving her true identity, she impersonates her late grandmother. When the soldier comes on leave and wants to see her, the mistake will bring humorous consequences.
Denise lives with her grandparents on a farm and secretly meets Robert. When she tells her grandparents that she wants to marry Robert, they refuse outright, so the two lovers will have no choice but to elope and marry in the nearby town. On the eve of having a child, war breaks out and Robert is mobilized.
In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.