The Song of Songs

The second of Thomas Meighan's three 1927 vehicles, We're All Gamblers was also the first of two collaborations between Meighan and director James Cruze. Based on Lucky Sam McCarver, a play by Sidney Howard, the story concerns a refugee of the Lower East Side who rises to the uppermost rungs of the nightclub world, all for the sake of a "dame." Boxer Sam McCarver (Meighan) falls in love with society girl Carlotta Asche (Mariette Mische).

A poor man steals a loaf of bread to feed his family, not knowing there's a stolen diamond hidden inside.

Success is often coveted instead of honestly earned. Through honest effort the farmer was enjoying the fruits of his labor. A large irrigation well was among his new acquisitions. Therein his designing helpers held him prisoner while they left with his wealth and his daughter. There is an old saying, however, that an evil purpose always defeats its own end by some committing act.

Ironworker Ned is putting money aside for a rainy day unlike his two sandhog co-workers Bill and Grogan who spend most of their money at the saloon. One day on the job Ned is saved from severe injury by Bill and Grogan tries to convince him to take advantage of Ned’s gratitude to extort some money. Later Ned and Grogan get into an argument and Grogan sworn to revenge attempts to get Bill to drown Ned, but the plan goes awry. Bill and Ned reconcile, eventually becoming business partners, Grogan goes to jail.

General Wolfe, appointed commander of the expedition against Quebec, comes to bid his mother goodbye. Before sailing, the general calls upon his sweetheart, Katherine Lowther. She presents him with a locket containing a miniature of herself. Wolfe places the jewel on a chain about his neck. Mignon Mars and her brother, Hubert, of a Canadian family, are captured by a body of men attached to the Royal Americans. Lieutenant Arleigh, the officer in charge, secures their release. Mignon loses her heart to the young officer. General Montcalm arrives at Quebec and takes command of the French forces.

The story concerns the reformation of a fast woman who runs a gambling establishment. Her one fear is of death and her regeneration is brought about.

James MacDonald, familiarly known as "Slim Jim," who prefers to make a livelihood by stealth rather than by honest endeavor, leaves his wife and young son one evening, and with the assistance of a "pal" succeeds in fleecing a stranger at "Three Card Monte" for a considerable sum.

As an infant, Ruth Drake was stolen from her father by her vengeful mother, and then abandoned. She was adopted and raised by a pawnbroker, and as a young woman joins the Salvation Army in order to help the kinds of people she has seen--and was--growing up. When war breaks out in Europe, she volunteers to go to France

Architect Peter Ibbetson is hired by the Duke of Towers to design a building for him. Ibbetson discovers that the Duchess of Towers, Mary, is his now-grown childhood sweetheart. Their love revives, but Peter is sentenced to life in prison for an accidental killing. Mary comes to him in dreams and they are able to live out their romance in a dream world.

Haywood, a suitor for the hand of Elida Rumsey, is severely reprimanded by her for not enlisting when President Lincoln calls for volunteers. Being deeply interested in the cause, Elida goes and helps Mrs. Pomeroy minister to sick and wounded soldiers. She becomes a favorite with the men, for she frequently sings to them. This attracts the attention of Lincoln

Happy in her devotion to her unfortunate sister and the promise of honest love that had come into her life, the girl was perhaps blind to true values. She became indifferent to her life and its surroundings. Accordingly she accepted the stranger and his doubtful promises. Honest love and duty were forgotten, until, caught near life's uncertain edge, she was called back by her blind sister's peril. Thus was true love separated from blind infatuation and life's lesson learned.

The girl's lessons from the young station agent on the manipulation of the telegraph code served her in good stead. By it, hemmed in on all sides at the lonely farmhouse, she was able to save both herself and her father's money from desperate tramps, an experience which is grippingly illustrated in this Biograph melodrama.

Bessie, the bookkeeper, and Harry, the confidential clerk, are sweethearts. Harry does not fully realize the strength of Bessie's affection, but later, on the eve of a false step, he is made to appreciate her devotion and grit.

Margaret has given up her stage career to marry inventor Jerry Benson. Jerry fails to impress oil executive William Graves with his idea, but Margaret has better luck when she catches Graves' attention and she both makes the sale and becomes the object of Graves' obsession. Profits from the invention make the Bensons wealthy; however Graves schemes to steal Margaret from Jerry by swindling them out of their money and getting Broadway floozy Gloria to break up their marriage.

Author David Marshall is sandbagged by holdup men and loses his memory. He finds his way to a bookshop run by his friend Ladd, who takes him in with the hope of helping him to regain his memory. David there meets Hope Masterson and falls in love with her. Bill Dorgan, a gangster in love with Hope, kidnaps her, and David comes to her rescue. David is hit again on the head, and this time he regains his memory. He still recognizes Hope, however, and they look forward to a long and happy life together.

Directed by Wallace Worsley.

Society miss Sally Raeburn is left penniless and is helped out by an older woman. The woman makes it clear that to repay her, Sally must marry wealth, so when the very well-heeled Lester comes to her village, Sally goes after him. Lester has been traveling incognito in the hopes that no one will discover him, so when Sally wins him she feels guilty and confesses that she knew who he was all along.

Voices of the City is a 1921 American silent crime drama film starring Leatrice Joy and Lon Chaney that was directed by Wallace Worsley. It is considered to be a lost film.

A young woman is framed and sent to prison for a crime she didn't commit. When she is released, she sets out to take her revenge on those responsible.

Boulevardier Sir Nicholas Thormonde (Lew Cody) has to choose between his mistress Suzette (Renée Adorée) and his virtuous secretary Alathea (Harriet Hammond) in wartime Paris.