A Jazzed Honeymoon

Four black minstrels turn into white clowns and back again when they hit or kick each other.

Foxy Grandpa and Polly was a comic strip upon which husband and wife team Joseph Hart and Carrie DeMar based a musical for the stage. Here, in the third film of the series, they enter from our left, hand in hand, a sylvan backdrop behind them. They're in fancy dress: he in three-piece suit and tie, bowler hat in hand; she in frilly floor-length dress, hat, and long braid of hair behind. They do a carefully choreographed dance - he's comic with large nose and male-pattern baldness splitting white curly hair; she's festive and smiling. They stay in sync. The camera is stationary, and it's one take.

Three girls are taking a bath in a quiet, shady spot along a beautiful stream. Another young lady in bathing attire reclines on the bank. The latter suddenly discovers two hoboes coming toward the bathers and immediately gives the alarm. They throw water over the hoboes, who gather up the clothes of the fair bathers and make off, compelling the bathers to walk home in barrels. In order to conceal themselves as much as possible they hold the barrels rather high.

A dissipated man sits at a table with a decanter of whiskey and a glass beside him. A revolver is on the opposite side of the table. He pours a glass of whiskey and, with a despairing look, starts to drink it. He changes his mind, grabs the revolver, and places it against his temple, but then changes his mind again and lays the revolver carefully on the table. He drinks the whiskey with a contented smile and thumbs his nose at the audience.

A brief vaudeville-style demonstration of a "Dog Transformator," a machine that instantly turns dogs into sausages, and amazingly, sausages back into dogs.

A family moves out to the 'peaceful' suburbs where everything goes wrong, including the mother-in-law moving in.

Larry going investigating an Oriental opium den. And opium is to Larry what spinach is for Popeye!

An old maid is walking about the studio while the photographer is getting his camera ready. She first looks at a hanger, which immediately falls from the wall, not being able to stand her gaze. Then she looks at the clock, and her face causes it to fall to the floor with a crash. She then walks over to the mirror, which suddenly cracks in several places. The photographer then poses her. Just as he is to press the button the camera explodes with a great puff of smoke, completely destroying the camera and demolishing the studio. The picture finishes up with the old maid tipping back in her chair and losing her balance, displaying a large quantity of fancy lace goods. Cross-dressed Gilbert Saroni reprises the role of the old maid.

A woman riding a train must contend with the unwelcome advances of a male passenger.

A juggler enters upon the scene, picks up a skull, throws it into the air, catches it in his hands, where it is transformed into a handkerchief. The handkerchief, after being twirled about a wand, is changed to a napkin, and afterward to a tablecloth. Out of the table cloth comes a servant.

A “madman” escapes prison and the torments of his warders.

Jimmy Jump is a coward. Everyone and everything makes him afraid. He cowers from the neighborhood children, even though he's old enough to be their father. He is terrified of Lem Tucker, who is his rival for the heart of Dorothy. Only when he mistakenly believes he is about to die does Jimmy find courage. But will it last?

Larry's absurdly plush life of ease as a convict comes to an end when his sentence is up. Tossed out, he tries several ways, including a stickup to get back in the comfortable jail. Exchanging clothes with a lookalike escaped prisoner, he goes back, only to find he's to be hung. Now desperate to leave again, he joins other cons in a jailbreak.

A live-action amateur hypnotist mesmerizes Ko-Ko the clown and Fitz the dog; but a witch teaches them how to take their revenge…

Two gypsy lovers sneak away from camp at night. The man proposes, the woman refuses. He then murders her with a knife. The body is immediately discovered. The distraught man then leaps off a cliff to the rocks below.

An Aesop's Fables cartoon with monkeys monkeying around.

A young man's girlfriend is forbidden by her father to see him again. When the father takes his family on a hunting trip to the woods, the girl and her suitor hatch a plan where he dresses up in a bear suit to "menace" the family, then leaves and reappears as himself to "save" them. However, things don't go quite to plan.

Three portly, white-face clowns wrangle over a cigar stub. One of them keeps it by hiding it in his mouth and similar ruses.

This film was not intended to stand by itself, but was designed as the cinematic aspect of Welles' Mercury Theatre stage presentation of William Gillette's 1894 comedy about a New York playboy who flees from the violent husband of his mistress and borrows the identity of a plantation owner in Cuba who is expecting the arrival of a mail order bride. The film component of the performance was ultimately never screened due to the absence of projection facilities at the venue. Long-believed to be lost, a workprint was discovered in 2008 and the film had its premiere in 2013.

Harry and his friend have planned to go out for an afternoon of fun. But first, Harry must figure out how to slip away from his domineering wife with some money to spend...