Robert Bardon has searched for years for animal trainer Gamo who seduced and abandoned Brandon's daughter Gladys. Finding him at last he corners him in a room and exacts his revenge.
Directed by Vladimir Gardin and Yakov Protazanov, this two-part epic was the most expensive Russian film at the time and smashed box office records. It is now considered lost, with only a 4 minute clip surviving.
An upper class melodrama.
A peasant girl goes to great lengths to protect her child in 19th century Vienna. The film is considered lost, and only four minutes of footage are known to remain.
What must a man do in order to put an end to his bachelorhood? For George Finch, one of nature's white mice and probably the worst artist ever to put brush to canvas, there are many obstacles. Undoubtedly the greatest is his beloved Molly's fearsome stepmother, Mrs. Waddington, who has her eye on an eligible English lord for a son-in-law. Luckily, George has an ally in sharp-witted Hamilton Beamish, an old family friend of the Waddingtons, not to mention George's butler, Mullett, and his light-fingered girlfriend, Fanny, whose valuable skills are of particular interest to the would-be father-in-law.
Francesca Brabaut, who married an artist against her father's advice, regrets her decision when her husband Antoine, in debt, sends her to his misanthropic uncle to plead for money.
A man breaks into a flat, startling the occupant. They argue about the new girlfriend of the 'burglar', who's come to get her stuff. Then a third man bursts out of the cupboard...
A husband, jealous of his wife's flirtations with another man, hatches a plot to make his wife jealous.
The year is 1025 and Arnljot Sunvisson has returned home after a long journey to find that his betrothed has married another.
In this comedy-drama, May Allison plays Teddy Hayden, a very independent society miss. When her childhood sweetheart, Gerry West (Wallace MacDonald) takes her to a Greenwich Village cafe, she thinks she's found where she belongs. So she spends all her time there and gets herself in a load of trouble.
During his daily duties, Casey the Cop rescues a woman who's soon his sweetheart. Later, she learns from her banker uncle that her inheritance has been stolen, and he's accusing Casey's own cashier brother. Casey is on the case.
Helen Frazer marries Harold Lawton to please her domineering grandmother. However, Harold continues his dalliance with chorus girl Letty Lorraine, and embezzles $25,000 from his employer, Howard Hendricks, to support her luxurious tastes. To protect her son, Helen enters into a financial agreement with Howard, who hopes to win her from Harold. After Harold squanders the money, he commits a crime for which Helen is arrested. Will she be cleared in time?
On the promise of marriage, Sylvia Smith, a simple girl from Lone Meadows, follows her lover to the city only to discover that he already has a wife.
Little Betty has a luxurious home, an army of servants and the costliest of toys. But she hasn't what a child wants most of all, other children to play with. The result is that she runs away and joins a group of children from the ghetto district on the beach. In play she exchanges clothing with a little boy. That evening Betty doesn't return home. Her maiden aunt, an over-zealous guardian, is frantic. She notifies the police. The same evening the father of the boy, who has lost his position and is facing starvation, decides to turn burglar. He steals into the home of Betty's father. The household is awakened and the intruder captured.
The picture starts with Robert Warwick walking into the office of director Albert Capellani (the film's actual director). Capellani offers him the role of a heavy and hands him the script. The next four reels show Warwick playing a Raffles-like character, an ingenious crook who moves through society, committing robberies and even murder.
Fernande marries a man and schemes to get his wealth when his expected death occurs. But he dies before he can change his will. She next tries to kill the son who inherits, but he outfoxes her.
A waiter in love with a countess assumes the identity of an aristocrat.
Kane, who does not want his father to know he is a fighter, thinking he objects, nearly loses the fight when he sees him at the ringside. In the end, it is the words of encouragement from his father which causes him to win. It develops that the "Kid's" father has known it all the time and has been getting reports on his son's prowess in the ring. Eighth episode in the first 'Leather Pushers' series of two-reel boxing shorts.
The "Kid" is in the studio playing the star role in a "super-feature." The director gets his cast to put extra snap into the big scene by making each of the fighters think the other is double crossing him. 10th episode in the first 'Leather Pushers' series of two-reel boxing shorts.
Fifteenth entry in the Leather Pushers series of two-reel shorts.