A Private Scandal

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

In this sun soaked adventure for the entire family, a group of five orphaned children form their own makeshift family while attempting to operate outside the rules of society. Though they must sometimes steal to survive, their loyalty to one another means that they will always have a brother or sister to count on.

The Devil's Toy is a 1916 American silent drama film directed by Harley Knoles and starring Adele Blood, Edwin Stevens and Montagu Love.

Left with the care of his little grandchild through the death of his daughter, old Mr. Blinn tries in every way to give her the cure and attention which she needs.

A London actress collapses on stage and is sent by her doctor to stay in the country with a farmer and his wife. But when she starts an affair with the farmer, the idyllic life at "Crooning Water" is threatened with tragedy.

Freckles, an orphan with disabilities, gets a job at McLean's lumber camp as a guard in Limberlost forest. Although the forest is infested with desperate characters, Freckles shows courage and determination. A beautiful girl whom he calls the "Swamp Angel" and the "Bird Woman" assist him in driving off timber thief Wessner and his gang. Later, Freckles refuses a bribe Wessner offers if he will permit Wessner to steal some trees. Instead, Freckles gives Wessner a beating, and his loyalty to McLean earns him a cash reward. Freckles falls in love with the Swamp Angel, but the social differences between him and the girl prevent him from declaring himself. He makes no attempt to recover when a large tree falls and seriously injures him. His recuperation is hastened, however, when the girl expresses her love for him.

The plot revolves around a love triangle: Nela, the lead character, falls in love with Jorge, who in turn is seduced by Clarisa, the daughter of a doctor who treats Nela's tuberculosis.

While we follow the turbulent life and adventures of Aleksa, 13 year orphan, and his best boarding school friends Gordan, Maya and Vlada Grak, we learn that old and greedy villain Jovica Vuk find out that Aleksa is capable of seeing and finding the group of medieval knights called Zlodolci. They are the keepers of silver secret that enables them to protect, heal and revive those who deserve and therefore, they are capable of changing the course of the history. Jovica Vuk who misused the power to heal passed on him by his father, wants to take over their secret and secure himself the immortality. He tricks Aleksa to led him to them, but fortunately, Aleksa see through his plan. But, is it too late? Will Aleksa and his friends, although still kids, prevail in the final clash and defeat the powerful forces of evil?

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

Oscar Krug is looked upon with suspicion by his neighbors because of his German name. When the US is drawn into the war with Germany, he enlists and travels the seas with his wife, Alice Morse. During a submarine attack Alice is snatched from Krug's side by a German officer. Krug now lives to have his revenge, and when the opportunity presents itself, he will have it.

Charles Abbott is implicated in the death of his friend Escobar, brother to the woman he loves.

An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.

A young woman who lives with her uncle begins to dream about a monster that lurks in the shadows of the night.

Lilla Gravert falls into the clutches of a master blackmailer, Eric Helsingor.

A short animated film about an orphan kitten raised with love by a sea otter, whom had lost her own child. The film's message was to promote the abolishment of nuclear weapons using anthropomorphic animals.

At the urging of his sweetheart, Rosemary Smith, a man (William Fairbanks) leaves his soft job in the east and goes west to settle a dispute over oil lands owned by Rosemary's father. This man evicts the wrong party and later must return west in order to set things right, protecting the honor of a girl from the advances of the crooked foreman.

Lafayette Jordan (Davis), financier, plans to inundate Caribou Canyon and turn it into a reservoir, but the villagers will not sell him their land. Among the resentful villagers is Judson Forrest (Harlan), who wants to be an inventor. Mary Jordan (Bellamy), daughter of the financier, is hurt and spends a night at his home. Learning of his attitude toward her father, she poses as a domestic at the Jordan home. Later, in New York, Judson looks her up. He is trying to sell his invention and, to get funds, he mortgages his home. The village banker, in league with Jordan, sells the financier the mortgage, and a foreclosure threatens when Jordan's business agent Henry Mogridge (Miljan) double-crosses Judson. The youth thinks Mary working against him. Friends come to Judson's aid and he pays off the mortgage in the nick of time. He learns that Jordan knew nothing of the methods employed by his agent and that Mary loves him.

From Wikipedia, the free encyclopedia. A Girl of the Limberlost is a 1924 American silent film, produced by Gene Stratton-Porter and directed by James Leo Meehan. It stars Gloria Grey, Emily Fitzroy, and Arthur Currier, and was released on April 28, 1924. The first adaptation of Stratton-Porter's famous novel, this silent film is considered lost.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.