Two married couples, Doris (Helen Chadwick) and John Manning (Gayne Whitman) and Clara (Dorothy Revier) and Herbert Bradley (Ray Ripley), each separate as a result of domestic arguments. After certain misunderstandings and false accusations, peace is returned on the home front.
Winthrop Clavering a mystery writer, is continually ridiculed for the fiction of the crimes he depicts, so he decides to solve a case himself. To that end, he determines to find the slayer of Pedro Alvarez, who whispered before dying that his assailant was a woman. At the City Refuge for Homeless Girls, Clavering obtains the assistance of Margaret Holt, the sister of Victor Holt, the district attorney. Margaret, it is revealed, was abducted by Juanita, a member of a gang of white slavers led by Alvarez. After escaping from a brothel, Margaret became Alvarez' stenographer, hoping to gather secret information on his gang. While searching for evidence, Margaret was surprised by Alvarez, whom she killed. Finally, Clavering captures the gang, clears Margaret, and encourages her romance with cub reporter Jack Howell. This film is presumably lost.
When her cotton crop is burned, Barbara Pelham, a beautiful southern girl, comes to New York to find work as a fashion designer, staying with Mrs. Kemp, a woman she meets on the northbound train. In Mrs. Kemp's house, Barbara encounters Peter Heffner, a wealthy stockbroker, and discovers from him that she has taken up residence in a whorehouse. There is a police raid, but Barbara escapes arrest and returns home. Heffner's son, Neil, goes south to inspect some family property and there meets Barbara, with whom he falls in love. They decide to be married, and she accompanies him to New York, where she meets the elder Heffner for a second time. He denounces her as a whore, but Barbara goes to Mrs. Kemp, who explains the misunderstanding to everyone's satisfaction.
The year is 1025 and Arnljot Sunvisson has returned home after a long journey to find that his betrothed has married another.
An Orthodox rabbi deals with tragedy and a rapidly changing way of life, as secularism becomes the norm.
A young girl is reared on a desert island by natives and led to believe that she is a goddess. One day an outsider comes to the island, and persuades her to accompany him to preach about the kindness and love she has experienced. She agrees, but she's soon confronted by the problems and travails of the "outside" world.
Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.
In this story the hero is haunted by a beautiful young woman who tries to stab him to death with a knife. This fantasy recurs on each of his birthdays, becoming more and more real as the years go on. He leaves home to secure a place as groom, but arrives at his destination too late. Forced to retrace his steps, he seeks shelter in a little inn, forgetting that the hour of his birth is approaching. In the middle of the night he awakens, terrified with fright… Based on Wilkie Collins' novel “The Dream Woman”.
The Talbots, formerly one of the Eastern Shore's first families, have gone to seed: Pap is a drunk, soddenly decaying in his ruined ancestral home, and three of his sons (William, Carol, and Ezra) are lazy, shiftless young men. Mulligan, Pap's second son who supports the entire family by oyster fishing, falls in love with wealthy Anna Lee, but when he first kisses her, she calls him "white trash."
Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.
The brute is a gambler,boxing manager and underworld boss who mistreats a young woman, who is forced into marriage with him for money after her original fiance is thought dead. When that man returns, he attempts to rescue her.
When his buddy is murdered a dedicated cop, goes after the gang responsible.
Working as a wardrobe girl in a cheap traveling stock company, Mamie Judd secretly loves Jenks, the leading man, who scarcely notices the young girl. She saves Neal Selden, son of a small-town banker, from being accused of robbery and murder, acts committed by the company's manager and leading lady.
Bertha Sloan loses her job as a sewing-machine girl and subsequently is employed as telephone girl with a lingerie manufacturing company. She soon falls in love with the assistant shipping clerk, Roy Davis, and is promoted to chief model for the firm, owing to the patronage of Morton, the wealthy and wicked manager. Bertha is about to take a position in Paris as designer when Morton lures her to his home.
The story of two feuding Irish immigrant families living in a tenement.
During the Easter Carnival, Dolores de Cordova flirts with Juan Estudillo, not knowing that he is a member of the family with whom her ancestors have long feuded. Dolores' cousin, Pedro Toral, jealous of her attentions to Juan, kills her brother that night and after leaving Juan's handkerchief by the body, makes Dolores swear to avenge the death with her own hands....
Ethel Warren returns from studying in Europe to make her debut in New York with the opera company in which Jean Paurel, world-famous baritone, is the star. Carlo Sonino, also a member of the company, falls in love with Ethel and warns her against becoming infatuated with the amorous singer.
Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).
Thomas Brainerd, Sr., as a prospector, is a dutiful and loving husband and father, but when he strikes gold he becomes obsessed with business and all his relationships suffer. Due to his inattention his wife nearly strays and his son bitter at his father lack of understanding becomes estranged. All end happily though.
The niece and nephew of an eccentric millionaire try to get a share of the now deceased millionaire's inheritance from his adopted son who delights in squandering it. Considered lost.