The Woman Conquers

Part of the Daughters of the Country series, this film, set in the 1850s, unfolds against the backdrop of the Hudson's Bay Company's monopoly of the fur trade. In protest, some Métis engage in trade with the Americans. Madeleine, the Métis common-law wife of a Hudson's Bay Company clerk, is torn between loyalty to her husband and loyalty to her brother, a freetrader. Even more shattering, a change in company policy destroys Madeleine's happy and secure life, forcing her to re-evaluate her identity.

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

This short film realistically portrays the conflict Henry Hudson experienced when he went in search of an open water route to the Orient, and no one would follow him. What he discovered instead was an inland sea, a discovery that ended in tragedy.

In a town on the edge of the Canadian Arctic, polar bears are waiting longer for the sea ice on the bay to form. It's a dangerous change for a place known as the polar bear capital of the world.

A documentary film exploring an untold part of Canada’s past through the eyes of Inuk artist and filmmaker Elisapie Isaac. After facing a moral dilemma, Elisapie sets out to meet others who, like her, are “Hudson Baybies,” the children born of the mixed unions between Indigenous women and Hudson’s Bay Company employees working in trading posts and general stores across the North.

Every year in northern Canada, polar bears migrate to Hudson Bay to hunt seals. From October to November, while waiting for the ice pack to form, they take up residence on the outskirts of the town of Churchill. Hunted for a long time and now the stars of safaris, the bears have become a tourist attraction and therefore a considerable source of income for Churchill.

The uncommon sight of polar bears wandering a colorful landscape during an iceless summer in Hudson Bay, Canada.

Sue Gordon, a mountain girl on the Tennessee side of the Cumberlands, lives with her grandmother. When "Granny" dies, Sue--fulfilling Granny's dying wish--goes to Chicago to live with John Peyton, an industrialist who was at one time Sue's mother's fiancé. She finds that Peyton's employees are on strike, and one of the strike's leaders is Peyton's son, Donald, to whom she is becoming increasingly attracted. Complications ensue.

Dearie Lane refuses to marry Fred Millard, whom she loves, because of her previous affair with roué Mark Winfield. When she confesses, Fred forgives her, and they marry and live happily in a modest home until the owner, who turns out to be Winfield, comes to collect a delinquent payment and suddenly dies. Dearie, afraid that the absent Fred will misunderstand, hides the body with the help of a boarder and a cook until midnight when they carry it down the stairs to the countryside, but the creaking of the steps is heard by Fred.

In the early eighteenth century, pirate captain Jean Lafitte fights a rival pirate and wins a treasure and a beautiful female captive. Although the girl offers herself to Lafitte to save her English lover, Lafitte makes him walk the plank. The girl then places a curse on Lafitte and his descendants, preventing them from ever knowing the true love of woman. Two hundred years later, in the West Antilles, painter Paul Winthrop poses Joe, a pearl diver, as a pirate. Upon seeing the completed painting, each envisions the earlier situation. Later, Joe finds the buried treasure and sails to New York, where he learns that the portrait has also attracted wealthy Lily Demorest and her suitor, Robert Spurr, a "financial pirate."

Peter James Slaney, just released from prison, is the only boarder who is kind to Lena, the maid at the cheap Paris Hotel. So that Lena can leave her abusive landlady, Slaney accepts $2,500 from a stranger, who threatens to send Slaney back to prison unless he undertakes a job. Slaney is sent to the home of political boss John Biggs with a sealed envelope which he is to open after entering.

When her husband, struggling lawyer Horace Dillingham, is unable to provide adequate money for her insatiable desire for expensive cherries, Kitty Dillingham goes to work as a stenographer for him. One day while Horace is out of the office, Kitty mistakes Jonas Collamore, a defendant in a divorce suit for whom Horace is acting, for an important client. Kitty agrees to lunch, and, swallowing many maraschino cherries along with their cocktails, becomes drunk. Jonas takes her to a nearby inn where they are followed by Mrs. Collamore's detectives, who then summon Mrs. Collamore and her lawyer Horace.

U.S. Navy Lieutenant George Blenton becomes drunk at an official reception, and his fiancee, Jane Ravenslee, the captain's daughter, breaks their engagement. After war is declared, George, entrusted with a secret code book to deliver to an English admiral, drinks and loses the book which German spies recover. During a private court-martial he is offered a pistol for suicide. After drinking again, he fires a shot, but still lives. Put ashore on the island of Tafofu "to rot," George, hating the U.S., moves in with Lehua, a half-white who tries to wean him from drink.

Iwata, cheerleader of a university, Odagiri, a free lance cameraman, and Sekiguchi, a day laborer working on a subway project. As they pass an area dotted with the villas of affluent people, they decide to stop at one to ask the owner to let them put through a phone call. What they seen when they enter the gate makes them draw in their breaths quickly and causes their pulses to begin to race madly – Miki, a lass whose only claim to fortune are marvelous breasts, cute nipples and a figure even every top model dreams of having...

Бегствующий остров

A girl from a small village goes to the big city to realize her dream of driving trains.

Mibôjin geshuku: Hatsunori

When a recently widowed mother becomes houseless, she convinces her 8-year-old daughter that they are only camping for fun while working to get them off the streets.

In the depths of an ancient forest, something has been growing. Something older than humanity itself, and perhaps greater too. When a park ranger discovers a man and his son living wild, she stumbles onto a secret that is about to change the world.

A retrospective of events in director Louis van Gasteren’s life from 1964 to 1969, filmed by him in that period and reflected on from his vantage point over 40 years later at the age of 90.