A 1917 film directed by Edward José
Prospector Harry Farley returns from Alaska to find that his sister, Helen, has gone to New York with Florence, her blind daughter, after being deserted by her husband, Richard Norman. Under the name of Sidney Heaton, Norman has married Blanche Maberly and fallen in with a bootlegging gang while succumbing to the blackmail of Dick Watkins. Helen dies, Heaton kidnaps Florence, but Harry tracks him to the Adirondacks.
A couple of boy gangs in Budapest constantly fight over the neighborhood turf.
A melodrama about a painter who is infected with syphilis, refuses treatment, turns to the use instead of narcotics, and withers away.
A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.
The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.
His Last Race
A lottery win of $5,000 forever changes the lives of a miner turned dentist and his wife.
Ranch hand Tommy Dawes has a special bond with little Rosemary, the crippled daughter of his boss Bill Nyall. When Tommy accidentally breaks Rosemary's favorite doll one day, he borrows a $20 gold piece from the foreman's mattress to go to town and buy a new doll. However, on the way there he is ambushed and robbed by an escaped convict
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.
Theater of Life: Youth Version
Hou Yao wrote, directed and starred in A Poet from the Sea (1927). It was shot in Stanley, Hong Kong. The surviving copy was only 23-minute long, but Hou Yao's romantic side was obvious through the scenic location and beautiful set-up. The love story between Poet (Hou Yao) and his lover (Lee Dan-dan) was pure and lyrical, a gem from China Sun Motion Picture Company (Shanghai) in the 1920s.
Famous Russian screen actors play themselves in this drama about the lives of actors. Thirteen minutes of the film survive.
A gang of crooks evade the police by moving their operations to a small town. There the gang's leader encounters a faith healer and uses him to scam gullible public of funds for a supposed chapel. But when a real healing takes place, a change comes over the gang. Lost film, only the most famous scene has survived.
Artist Standish using his wife Mary as his model finishes a painting of the Madonna. When the Connoisseur and the Parishioner inspect the picture, the Connoisseur tells Standish that the model was a one-time paramour. Buying the painting they depart. Standish confronts Mary, who tells him that she believed herself legally married to the Connoisseur. Unbelieving he ejects her and their baby son. Penniless Mary leaves her boy on the steps of a monastery. Years later before becoming a monk the boy is sent to see the world. Wandering into a café he is seduced by Beauty as the other inmates of the place, Lust, Rum, Avarice and Passion dance around him. The proprietor enters; it is Mary. Recognizing the crucifix, she left with him as a baby she persuades him to go back without revealing her identity. After he becomes a priest Mary, now a bedraggled old woman enters his church. She recognizes him and just before she dies her son gives her absolution.
When his ne'er-do-well brother embezzles the commissary funds of their cavalry unit stationed in the Sudan, a British soldier takes the blame for him. He winds up deserting his post and joining up with a traveling vaudeville troupe. He falls in love with a pretty young woman in one of the show's acts but finds that a local Arab sheik has his own plans for the young girl.
Billie Dove, as Elena, pulls out all stops as a Russian princess and a woman-of-the-streets in Paris in an exotic romance and hand-wringing drama set in two countries and the way-stations in between.
When anarchist bombs disrupt the engagement ball of Princess Marie Pavlovna, her fiancé, Prince Michail Koloyar, helps her to escape in a carriage. Then Theo Kameneff, secretly in the pay of a foreign government, becomes dictator and, desiring the princess, issues an edict that all women between the ages of seventeen and thirty-two must register and become state property.
Mere years could not kill the overwhelming love which lay dormant in Lorenz's heart, though Florence was now the wife of another.
Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.