The Norrtull Gang

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.

The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

Victor Stowell, son of the deemster of the Isle of Man, is engaged to Fenella Stanley. He becomes involved in an intrigue with local girl Bessie Collister, becomes the deemster on his father's death, and is forced to try Bessie for killing her illegitimate child.

Two friends, Fritz and Theodor, make the acquaintance of Christine and Mizzi, who are also friends. Fritz is immediately captivated by Christine, who is bashful and modest as opposed to the eager, effervescent Mizzi. But even though the love between the two grows, Christine is not the only woman in Fritz’s life. His affair with a married woman will prove to have fatal consequences.

Audiovisual view for decisive days in a life of a lightly hearing person.

On a South Seas island, "three white derelicts drink away memories of the past. After many adventures during which a girl enters the picture, the three are rehabilitated and everything turns out happily."

When a British army officer, Harry Faversham, resigns his commission on the eve of his regiment's departure for service in the Sudan he is sent four white feathers of cowardice by his comrades and fiancee. In an attempt to redeem himself, Faversham travels out to the Sudan where he saves the lives of his former comrades.

A nervous and unsettling young boy takes a mysterious old suitcase across London... to a twisted and surreal conclusion.

An old knight weds his dead friend's daughter but she gives herself to an Italian Don to bear an heir.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.

Due to an unfortunate mistake with laboratory samples, a young husband is diagnosed as suffering from the terrible disease of leprosy. In his distress he decides to leave home.

Come and Swallow is the newest film in the big swallow universe. Being a piss take on the original “The Big Swallow (1901)” and “Come and See (1985)”. When the young boy (Josh Killoh) has his village burned down and destroyed by an army of troops, a few soldiers (Angus Rhind, Finlay Doney and Quillan Hepburn) pose to take a photo with the boy. As the camera man (Finlay Esslemont) prepares to take the photo, the boy suddenly decides that he has had enough of this tyranny and swallows all the soldiers.

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.