On ne badine pas avec l'amour

The suffocating conditions in a bourgeois family were depicted in several films in the second half of the 1950s - this one is one of the lesser known, although it achieves great emotional impact, free from the first ideological pressures. The title character, the owner of the tenement house Mrs. Dulská, controls her relatives and tenants with a firm and despotic hand. To achieve her goals, she masterfully combines tears, blackmail and insidious intrigues, or does not hesitate to abuse the trusting and handsome maid Hanka when she wants her son not to fool around. Everything suddenly turns around when Hank gets pregnant... But the appearance of a good reputation is more important to her than anything.

Two journalists and a photographer are sent to stake out a woman's house and told not to return without a story. When the woman shows no sign of appearing, they take matters into their own hands.

A young woman goes undercover to gather evidence to free her boyfriend, an attorney who has been framed for a murder he didn't commit.

An iconic Ukrainian play of the same name meets TV.

A recording of a theatre production directed by Jan Kačer from 1967.

Ibsen's play is the story of Halvard Solness, Master Builder of a town in Norway. Solness is a successful architect but he's afraid of the being surpassed by those younger than himself. The arrival of a young woman called Hilda stirs up memories and feelings with stories of a promise he made her many years ago.

Lemuel Morehouse, the owner of a profitable meatpacking company in Chicago, bemoans the fact that neither of his two sons have the time nor inclination to eat with him. Billy is obsessed with culture, while Tom is a physical fitness nut. At the office, Lemuel is exasperated when Billy arrives for work at four in the afternoon and cannot stay because of a party he is giving that night to unveil a statue he bought for $20,000. Lemuel then finds Tom meeting with his golf committee rather than working. When the boys argue that business is only a means to an end, and that happiness and enjoyment of life are desired goals, Lemuel counters their contentions by declaring that what they really need are wives and tells them that Dorothy and Rose Gregson, the daughters of an old friend, will soon be visiting.

Set in working class Newcastle, the Stott family fight their private battles against the backdrop of the conflict of World War II. Helen Stott, over thirty and with a limp, is resigned to being left on the shelf until she meets and falls in love with Norman, a serviceman from London. In contrast, her younger sister Joyce has quite a way with men, and finds herself a little too popular with the troops, especially when her husband pops up on leave from his regiment.

María and Susana, two rebellious teenagers, spend the summer in a catholic camp. While they are grounded during a weekend, the most unexpected arrival in the most unexpected way will change their feelings about life, love and freedom.

Near future in Seoul, Oliver and Claire are abandoned helper robots stuck in a rut. One day, Claire knocks on Oliver’s door to borrow a charger and they grow closer since then. Oliver hoping to meet his former owner again and Claire dreaming of seeing fireflies, the two decide to leave for Jeju Island. During the unexpected journey, they end up finding themselves falling in love. However, the joy of love soon fades away as Claire helplessly breaks down. With sad ending waiting for them, the two robots learn what love can bring.

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A fortune teller predicts that Dr. Přelouč will marry the third poor girl he meets. Míla, the daughter of factory owner Janota, likes the doctor and, with the help of his housekeeper Amálka, sneaks into his home disguised as a poor shoelace saleswoman. She first prepares for her role by exploring the outskirts, where she meets Vendelín Pleticha, who becomes her guide to the local pubs and her teacher of the vernacular. Dr. Přelouč is enthusiastic about the poor, uneducated girl and tries to teach her the basics of social behavior and standard language. All this until he discovers that Míla has deceived him and that Pleticha is not her father, as she had claimed...

Hiram Draper is an all-American self-made man with a profound distaste for everything British. Yet he must travel to London with his family. When Junior falls in love with an aristocratic girl, whose father despises Americans with equal intensity, fireworks are just about to start.

An aristocrat tries to prevent her sister's divorce by attempting to recover a diamond necklace, which is being used as incriminating evidence against her.

SG and Acke are two aged photographers dreaming about their big scoop. They no longer get the major assignments and feel that time has passed them by. At a party Acke takes a photo of a company leader getting intimate with one of the guests. Now they get their big chance, or so they think.

Cameo Kirby is a 1914 American drama silent film directed by Oscar Apfel and written by Clara Beranger and William C. deMille. The film stars Dustin Farnum, Fred Montague, James Neill, Jode Mullally, Winifred Kingston and Dick La Reno. It is based on the play Cameo Kirby by Booth Tarkington and Harry Leon Wilson. The film was released on December 24, 1914, by Paramount Pictures.

As an angry mob rises against the Wicked Witch, Glinda and Elphaba will need to come together one final time. With their singular friendship now the fulcrum of their futures, they will need to truly see each other, with honesty and empathy, if they are to change themselves, and all of Oz, for good.

José is a forty-something guy who finally manages to make his dream come true of owning a bar. For the opening night, he invites his best friends from the high school: Tania, the most popular girl of the classroom who now works as an influencer on the Internet and actress in musical plays; Ismael, an unstoppable loudmouth and womanizer who is convinced to be eternal young and the king of the hill; Quique, a naive man with obesity troubles married to Sofía, his lifelong love interest from the high school; and Manolo, the smart and streetwise boy who was the heart of the bunch. However, Quique and Sofía have troubles in their marriage after the suspicion that Quique was unfaithful to her; Ismael struggles his feelings about Tania against his fear of opening his heart to a woman; and Manolo reveals herself as transgender Lola.