I'll Show You the Town

The sinister mesmerist Svengali hypnotizes a group of people and compels them to perform various humorous acts in a Trilby segment from David Henderson's Aladdin, Jr. burlesque. Lost.

The Leigh Sisters perform a risqué Trilby-inspired dance with an umbrella. Scene from David Henderson's Aladdin, Jr. burlesque. Lost.

Trilby parody with several key characters' names altered. Presumed lost.

A film crew is shooting a movie about guns and robbers, when real robbers turn up. Having to go home in robbers costume, they are mistakingly accused of a robbery. One of the earliest films portraying bisexual characters.

Snub, the delivery man, and his assistant, Sunny, are returning from a delivery when they almost run over a lost woman. After she asks for directions, they accompany the woman to a dance school, where Snub is mistaken for the new professor.

A club man's country jaunt with friends leads to a breach of promise suit by a landlady.

A henpeck man inherits a fortune and starts a club for women-haters.

An 1895 British short black and white silent comedy film featuring two drunken men and a boy squabbling in a small bar.

A group of girls in al all-girl college dormitory spend a wild night among thieves, cross-dressing boys and wild animals like a man-eating gorilla. Blue Ribbon comedy produced by Joe Rock, directed by Percy Pembroke, starring Alice Ardell and Gale Henry.

The sinister mesmerist Svengali hypnotizes two characters, then dies abruptly in a Trilby segment from David Henderson's Aladdin, Jr. burlesque. Lost.

Edgar delivers a cake to his sister's ill friend. The cake arrives safely, but not sound, and Edgar is taken to task for his careless handling of the article.

On the way to Sunday school, Edgar meets the lady of his heart--and his hated rival. The Sunday-school lesson on David and Goliath so intrigues Edgar that he sees himself as David, saving the entire school, sweetheart and rival included, from Goliath's sword. Edgar's answer to the teacher's question proves his straying thoughts. As a result he is placed on the platform, where he sees himself descending to the "lower regions" as the "worst boy in the school." Edgar's Sunday adventures end with him at peace with the world, after two helpings of pie.

Edgar is called upon by his mother to execute a disagreeable errand, has to mind his troublesome younger brother, and runs away.

The movie takes place in one of the Russian provincial cities during the Civil War. A local priest, together with the ex-estate manager buries count's treasures and disguises it as his nephew's funeral. And when his nephew Nikeshka Vonmiglasov, a former Wrangelian, suddenly appears, he understands that he can profit on his magical "resurrection".

A photographer takes up newsreel shooting to impress a secretary.

Hollywood hopeful Peggy Pepper arrives at a major studio, from Georgia, to become a great dramatic star. Things don't go entirely according to plan.

The Little Fellow finds the girl of his dreams and work on a family farm. He helps defend the farm against criminals, and all seems well, until he discovers the girl of his dreams already has someone in her life. Unwilling to be a problem in their lives, he takes to the road, though he is seen skipping and swinging his cane as if happy to be back on the road where he knows he belongs.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

When an industrious cigar manufacturer, Sam Weinberg, falls into bad health, his daughter Ruth uses up her dowry to keep him in the life to which he has grown accustomed.

The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.