After fierce war chief Ulzana and a small war party jump the reservation bent on murder and terror, an inexperienced young lieutenant is assigned to track him down.
In the Old West, the government hires three strippers to travel to mining towns and keep the lonely--and, no doubt, horny--miners entertained. At one town the patriarch of a grungy outlaw family discovers that the girls are getting $500 a day from the government, and decides to kidnap the trio and hold them for ransom. Unfortunately, he uses his two idiot sons in his scheme, and things don't go off exactly as planned.
When Trace Jordan's brother is murdered by members of the land-grabbing Sutton family, he vows to report this injustice to the nearest Army fort.
In order to avoid a prearranged marriage, a rebellious French princess sheds her identity and escapes to colonial New Orleans, where she finds an unlikely true love.
Marshal Tim Smith is sent to Rawhide to battle rustlers. When the outlaw gang attempts to kill the new Marshal, they get the wrong man. Tim puts his identification on the dead man and poses as a known outlaw. This gets him into the gang where he is given the job of posing as the new Marshal.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
Soft-core western filmed at Charles Manson's old stomping grounds; the Spahn Ranch, back in 1968. As of this writing, not commercially available for viewing.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
Kaí is a mysterious shaman who emerges from the Rio Paraná to help a poor farmer and his daughter, who are threatened by a band of cold-blooded mercenaries hired to force them to sell their land.
Lynne Reed, Jack Manning's fiancée, is stagestruck and wants to go to New York for a career. She is encouraged in this delusion that she is a great actress by Barnes, who offers to buy her ranch, cheaply of course, so she can have enough money to get to the Big City. Barnes has Jack thrown into jail on a trumped-up charge of cattle rustling, and organizes a lynching party to get Jack permanently out of the way. Things get more complicated when Buzz, Jack's pal, discovers the secret of Lynne's ranch. How he engineers Jack's escape, and how they save Lynne adds suspense to a surprise climax.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
In what scenarist C. Gardner Sullivan misleadingly called “The Romantic Adventures of a Woman of the ’50s,” this story has Hart play Jim Brandon, who has just robbed the Wolf Creek stage of a payroll meant for Frank Wilding’s Lost Hope Mine. Fearing another holdup, Wilding reluctantly entrusts his daughter Edith with the next payroll. Confident of his concealed identity, Brandon comes to town, orders drinks at the local saloon, and hears that this is “payday” for the mine. Outside, he realizes Edith will be carrying the payroll and follows her onto the stage. When it stops at the Mountain House Restaurant, Brandon protects Edith from a man forcing his attention on her, which forges an unacknowledged bond between them. strangely leaves her to barricade the door.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy are masters of the prairie, but ultimately face trickier terrain: the human heart.
This epic Western-melodrama was based on the popular novel by Harold Bell Wright. Two old prospectors, Thad Grove and Bob Hill find an infant in the cabin belonging to Sonora Jack, a notorious bandit. The girl, Marta, grows to womanhood.
Sent by the Army, Andy Thomas poses as a renegade to find out who has been harassing the wagon trains.
A wild stallion provides unexpected help to a widow and her young son in their efforts to keep their ranch.
Johnny Mack Brown goes up against a female boss villain in this unusual Western from Monogram. Hired to look into dirty dealings in the town of Medicine Flats, Johnny learns that Kansas City Kate (Christine McIntyre), the owner of the Golden Spur Saloon, has been waging a war against local prospectors, one of whom is found murdered. Not appreciating Johnny's interference, Kate has her henchman Cameo (Tristram Coffin) take a shot at him and when that fails, hires a notorious gunslinger, the Cherokee Kid (I. Stanford Jolley).
Cheyenne Harry, owner of the biggest cattle ranch in his corner of the west, is having trouble with John Merritt, a land-grabbing Chicago meat-packer. By some artifice of shrewd legal aid, Merritt manages to seize Harry's ranch under a bogus writ of foreclosure. Failing to get justice by his many letters to Merritt, Cheyenne Harry goes east and calls at the millionaire's mansion. At first, Merritt refuses to see him. Then, to cause amusement for his daughter, Helen, and her guests, he invites the "uncouth" westerner into his dining hall. He is sure that he will make some grave error in table deportment and afford them all a laugh. To the amazement of Merrit and the guests Harry's table manners are faultless. Then, to trick him into an embarrassing position, Merritt eats with his knife. Harry, realizing that it is proper for the guest to follow the example of the host, does likewise. He leaves the house chagrined but more determined than ever to get justice from Merritt.