The Boaster

Young, introverted New York attorney Jimmie Pendleton is notoriously shy around women. Instead, he spends much of his time embarking on wild escapades with his friend, Herbert Austin. To fund these adventures, Jimmie frequently wires his eccentric Uncle Tobias in Kansabraska (a fictionalized Midwestern location) for emergency cash. Chaos ensues when Jimmie becomes engaged to Herbert’s sister, Mary. Following the engagement, Uncle Tobias unexpectedly arrives from the West. Jimmie is forced into a frantic, comical scramble to maintain appearances and conceal his true, wilder lifestyle—along with his careless spending habits—from his visiting uncle and his new in-laws.

Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.

A chaotic, night-long comedy ensues when a newlywed couple's celebration is interrupted by rowdy in-laws, a pet parrot that gets stuck inside the cooked turkey, and a series of slapstick mishaps. The turmoil is resolved when a perceived, romantic misunderstanding is revealed to be a secret surprise celebration for the husband's new contract and salary increase.

The city chap arrives in a flivver and makes love to the daughter of the proprietor. The rival plays a strong hand but is not quite strong enough to regain the girl. Little brother plays his part with tact and gets the regulation quarter for allowing the spooners to be alone. An elopement in moonlight provides a good finish.

On the eve of the marriage of her daughter, Alita, Mrs. Allen, unhappily married for 25 years, advocates writer Fannie Hurst's widely publicized mode of living with her husband: only two breakfasts a week together and complete freedom otherwise.

Business failure Ernest Todd is advised by his friend, Billy Breese, to enlist his wife's charms as a means of winning customers.

A young man in love with a cabaret dancer is refused money by his father. He joins the dancer and her accomplices to rob his father's bank. The robbers are discovered and killed, except for one. The situation resolves, with the characters' lives sorting out.

Peter Jones is a young man who arrives on Broadway from Chillicothe, Ohio, hoping to invest $20,000 in a play and turn a profit sufficient to buy a local hotel back home. He is conned by Joe Lehman and Jack McClure into backing their play with a 49-percent stake. The play opens out-of-town in Syracuse and bombs. Lehman and McClure want out, and Jones buys them out

A theatrical troupe from the west end of London loses its leading lady when she goes off to marry a rich young man from the other side of town. The rest of the play deals with the budding romance and trials and tribulations of their love, as well as the changing face of late-19th-century theatre.

While having dental work done, Jimmy inhales too much gas and begins believing that he is a detective. He sets out to capture a gang of thieves who robbed Jean's uncle's bank.

Spy spoof about a double agent involved in a phony death plot. Episode of the Wide World of Mystery.

Stage comedian Patrick O'Brien is fired from his job because of his drinking celebration of his son, Jimmy, graduating from college. After the show he meets his son on a cabaret and there meets Abel Finklestein and his daughter, Miriam, and the two fathers form a business alliance, suspected of being bootlegging. They are arrested but are released after it is found they were importing molasses - but Miriam has to promise to marry Sam Berkowitz to secure the release. Jimmy and both fathers are unhappy with this turn of events. This film is lost.

Katie Abbott, despairing of being a wallflower, is about to attempt suicide in the village pond when she is rescued by a young stranger.

Joe Collins arrives at Hanford College to begin his second year with $200 to pay his tuition, is enticed into a craps game, and loses all in this nostalgic slice of college, replete with songs, romance, prom dances and the inevitable big football game.

Auto racer Speed Carr enters a marathon race across the United States, from New York to Los Angeles. He encounters numerous obstacles not related to the race and must switch identities and vehicles before he can finish.

In this two-reel comic operetta, Nat Carr owns a gown shop in New York City and advertises for redheaded models--and is run over by a slew of redheaded applicants, including one who is a runaway heiress, who is followed by a short redheaded policewoman.

A clever, out-of-work man through a series of misunderstandings and bold maneuvers, manages to pass himself off as a wealthy and influential figure. He uses this false persona to navigate high society and outwit various characters he encounters. The comedy centers on his efforts to maintain the facade while dealing with the romantic and financial complications that arise.

Dorothy and the Scarecrow are now in the Emerald City. They have become friendly with the Wizard, and together with the woodman, the cowardly lion, and several new creations equally delightful, they journey through Oz -- the earthquake -- and into the glass city. The Scarecrow is elated to think he is going to get his brains at last and be like other men are; the Tin-Woodman is bent upon getting a heart, and the cowardly lion pleads with the great Oz for courage. All these are granted by his Highness. Dorothy picks the princess. -- The Dangerous Mangaboos. -- Into the black pit, and out again. We then see Jim, the cab horse, and myriads of pleasant surprises that hold and fascinate.

Cyclone Pete, the Terror of the Plains, is feared alike by red men, yellow men and white man, but in an evil moment he advertises for a wife, and gets one with an amiable exterior but an iron will. The Terror of the Plains tries to tame his bride, but the glaring eye which strikes terror into every male heart simply amuses the new wife, and the things she does to that poor, innocent, helpless 'terror of the plains' are really a shame. Eventually they part company, and Pete becomes a highwayman and holds up a stage coach. He strips all the male passengers of their valuables. The last passenger is a woman. She will not give up a cent, and when the 'terror' insists, the heroine suddenly knocks 'him where he lives,' tears off his mask, and husband and wife are face to face. Then she leads Pete home by the ear, and finally turns him into a decent citizen.

A short silent comedy produced by Gaston Mèliès in San Antonio.