Taxi! Taxi!

When Thelma is stopped by a cop for speeding, she tries to get out of it by telling him that she and Zasu are on their way to the hospital.

Ham is interested in a girl named Marie and wants to impress her. First he buys a car and then he takes her out to a swanky nightclub. During the course of this disastrous date Ham realizes that Marie isn't the nice girl he thought she was: she only went out with him to make her real boyfriend jealous. The boyfriend is a dancer at the club, and when she sees him kissing his dance partner she becomes enraged and smashes up the place, while poor Ham is stuck with the bill.

Charley is invited to a high class party, where he feels ill at ease and has no idea how to act, yet he wants to impress his young lady.

Fay Wray plays a beautiful showgirl who falls for a rich Park Avenue guy played by Phillips Holmes. William Powell is a producer in love with Miss Wray, but he won't use his influence to take any advantage... as usual, he's a perfect gentleman.

At a residence hotel, Patsy is moving in with Thelma. Thelma has prepared some rules, including singing whenever one feels quarrelsome or angry. Although Thelma tells Patsy that they'll share everything, there's precious little closet or drawer space for Patsy's clothes, little room to maneuver around Thelma in the bathroom, and then a sleepless night for Patsy when Thelma goes sleepwalking. Can they share and share alike, or will Patsy keep on singing?

Saxophone player Clyde meets a woman named Flowers, and teaches her to dance. He later discovers that gangster boss "Blackjack" is also in love with her. "Blackjack" is also battling gang boss Mike Luego in a violent turf war.

Germany in the Thirties. A movie teller realizes that his profession is not longer needed. Silent movies are not produced any longer. Telling stories is the only thing the man was ever good in, so he does not know what to do now. As political circumstances are changing dramatically these days in Germany, he gets new hope that things will again be going better for him...

Le Silence des Étoiles

A barber turns down a promising business venture in order to take his sick son to a drier climate out west.

SAL OF SINGAPORE was nominated for an Oscar for achievement in Writing during the second year of the Academy Awards. The film, being a part-talkie, nearly disappared from view. However, a preservation print does exist at UCLA, although it is unavailable for public viewing, awaiting restoration.

Vitaphone production reels #2471-2478; third Warner Bros. feature film - the first being The Jazz Singer and the second Tenderloin - to include talking sequences, along with the by now usual Vitaphone musical score and sound effects. A copy of this film survives at the Library of Congress in Washington, D.C., but the sound disks are lost.

A lost Japanese animated film noted for being one of the earliest to feature voice acting. The story is about a working family man who has an affair with a coworker. She finds out about the affair through him talking in his sleep.

Paramount's first all-talking picture, Interference was dismally directed by Roy Pomeroy, whose lofty status as the studio's "technical wizard" did not necessarily qualify him to be a director. Evelyn Brent heads the cast as scheming Deborah Kane, who sets out to blackmail Faith Marley (Doris Kenyon), the above-reproach wife of Sir John Marlay.

Simon Birch and Joe Wenteworth are boys who have a reputation for being oddballs. Joe never knew his father, and his mother, Rebecca, is keeping her lips sealed no matter how much he protests. Simon, meanwhile, is an 11-year-old dwarf whose outsize personality belies his small stature. Indeed, he often assails the local reverend with thorny theological questions and joins Joe on his quest to find his biological father.

Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie to grow up are immense. When Francie's world turns to madness, he tries to counter it with further insanity, with dire consequences.

An exposé of comic proportions that only Chris Rock could pull off, GOOD HAIR visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the black community.

In Manhattan, a mother of two preparing for her daughter's sixth birthday party has no idea of the challenges she's about to face in order to pull off the event.