Taxi! Taxi!

At a residence hotel, Patsy is moving in with Thelma. Thelma has prepared some rules, including singing whenever one feels quarrelsome or angry. Although Thelma tells Patsy that they'll share everything, there's precious little closet or drawer space for Patsy's clothes, little room to maneuver around Thelma in the bathroom, and then a sleepless night for Patsy when Thelma goes sleepwalking. Can they share and share alike, or will Patsy keep on singing?

When Thelma is stopped by a cop for speeding, she tries to get out of it by telling him that she and Zasu are on their way to the hospital.

Ham is interested in a girl named Marie and wants to impress her. First he buys a car and then he takes her out to a swanky nightclub. During the course of this disastrous date Ham realizes that Marie isn't the nice girl he thought she was: she only went out with him to make her real boyfriend jealous. The boyfriend is a dancer at the club, and when she sees him kissing his dance partner she becomes enraged and smashes up the place, while poor Ham is stuck with the bill.

Fay Wray plays a beautiful showgirl who falls for a rich Park Avenue guy played by Phillips Holmes. William Powell is a producer in love with Miss Wray, but he won't use his influence to take any advantage... as usual, he's a perfect gentleman.

Charley is invited to a high class party, where he feels ill at ease and has no idea how to act, yet he wants to impress his young lady.

Germany in the Thirties. A movie teller realizes that his profession is not longer needed. Silent movies are not produced any longer. Telling stories is the only thing the man was ever good in, so he does not know what to do now. As political circumstances are changing dramatically these days in Germany, he gets new hope that things will again be going better for him...

Saxophone player Clyde meets a woman named Flowers, and teaches her to dance. He later discovers that gangster boss "Blackjack" is also in love with her. "Blackjack" is also battling gang boss Mike Luego in a violent turf war.

A lost Japanese animated film noted for being one of the earliest to feature voice acting. The story is about a working family man who has an affair with a coworker. She finds out about the affair through him talking in his sleep.

A barber turns down a promising business venture in order to take his sick son to a drier climate out west.

SAL OF SINGAPORE was nominated for an Oscar for achievement in Writing during the second year of the Academy Awards. The film, being a part-talkie, nearly disappared from view. However, a preservation print does exist at UCLA, although it is unavailable for public viewing, awaiting restoration.

Vitaphone production reels #2471-2478; third Warner Bros. feature film - the first being The Jazz Singer and the second Tenderloin - to include talking sequences, along with the by now usual Vitaphone musical score and sound effects. A copy of this film survives at the Library of Congress in Washington, D.C., but the sound disks are lost.

Paramount's first all-talking picture, Interference was dismally directed by Roy Pomeroy, whose lofty status as the studio's "technical wizard" did not necessarily qualify him to be a director. Evelyn Brent heads the cast as scheming Deborah Kane, who sets out to blackmail Faith Marley (Doris Kenyon), the above-reproach wife of Sir John Marlay.

Le Silence des Étoiles

A young chemical engineer finds a new job in a multinational corporation. As he climbs the career ladder, he loses his humanity.

Doug is in love with Traci, Traci is in love with Josh, and Josh chose the wrong day to eat pizza.

A news anchor, a comedian, an actress, and a soccer player with big egos have to travel across the globe to meet the Malawa tribe for a TV show.

A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan leader is slain and a man chokes his wife to death), while Virginia censors complained the film’s references to miscegenation would "prove offensive to Southern ladies". In at least one state the film was banned for its title alone No print of the film is known to exist and it is presumed to be a lost film.