After the divorce of Schuyler Rutherford from his rich wife Caroline, who was his meal ticket, Schuyler's sister Kathleen is so humiliated by the fact that her penniless condition was brought to light during the court proceedings that she seeks solace in her friend, sculptress Mary Carter. Mary offers her friend a job as her secretary and, while working, she becomes acquainted with Mary's wealthy cousin Robert Winston when she overhears him denouncing parasitic girls like Kathleen. Vowing revenge, Kathleen assumes a false name and obtains a position as Robert's secretary, determined to make him fall in love with her.
When a wealthy young lady loses her inheritance, she decides to apply for work in disguise. In prim and proper working girl attire she becomes the respectable companion of a woman looking to reform her wayward nephew.
While on a ship to Skagway, Alaska, Duke and Chester find a map to a secret gold mine, which had been 'stolen' by thugs. In Alaska to recover her father's map, Sal Van Hoyden falls in with Ace Larson, who secretly wants to steal the gold mine for himself. Duke, Chester, the thugs, Ace and his henchman chase each other all over the countryside—for the map.
Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.
A man must participate in the Iditarod dog race across Alaska to inherit property from his legendary grandfather, but ends up getting much more than he bargained for.
Drama in the Futurists' Cabaret No. 13
A 1919 film directed by Sidney Franklin.
A 1920 film directed by Roy William Neill.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
A sad love film where the action takes place in Kyoto, in a trading house. Considered a lost film.
Marty Reid, the star quarterback at Sanford College, is constantly singled out by the opposition for punishment, and he swears to his pal, Honey Smith, and to Coach Wilson that he will quit the game forever. Ed Kirby, who dislikes Reid, calls him yellow, and Wilson gets Patricia Carlyle, the college vamp, to induce Reid to play. At a sorority dance, where only football players can cut in, Kirby persecutes Reid by dancing with Pat, and as a result Reid does apply to play in the game.
Miles Machree (J. Warren Kerrigan) meets Irish-American Sheila Lynch (Fritzi Brunette) when she travels through Ireland with her father (James O. Barrows). Soon after the Lynch's return to the States, Miles follows, and through his uncle's connections, gets a job on the New York City police force.
Suffering with ennui, bored by society, Annie Bradley, a wealthy girl, is anxious to make her time more profitable by doing something worthwhile.
Scion of a distinguished family J. Anthony Bowden is considered unworthy by his father, a feeling he discovers is shared by his fiancée Elma. His father sets up an elaborate ruse involving Anthony’s arrest and Elma’s kidnapping to make him prove his worth which he eventually does.
Billy Davis discovers that his father's bakery business is in serious financial trouble and leaves college in order to help his family.
A traveling man is vacationing at a summer resort kept by a farmer and his wife, and falls in love with a rich widow. The spooning of the two gets on the farmer's nerves, and he tries in various ways to discourage them. Twice, peeking through the window, he finds the flirtatious drummer making a fuss over his own wife, and when he rushes in he finds that the widow has returned and is occupying the drummer's attention. He gets his shotgun and tries to scare the drummer with it, but his wife takes it away from him and stands guard over him while she makes him do the kitchen work.
A couple of French noblemen-types constantly argue (Sterling and Sennett). They're rivals for a lovely Mabel's attentions. While attending a picnic near the Hudson River (on a rather cold-looking day), She apparently favors Mack over Ford, so, obsessed with revenge as he usually is in Keystone comedies, he sets her little dog out on a raft and dares chicken- hearted Mack to rescue it.
Jim Smith and Sallie Rice are very much in love with each other, but her father vehemently shows his disapproval of Jim. An elopement is planned, and at midnight Jim has the country magistrate waiting for him at the cross roads. He goes to tap on Sallie's window, but makes a mistake and awakens old man Rice, who, clad in his pajamas, pursues him with a shot-gun, and as Jim joins the magistrate, takes a pot shot at them, which finds lodgement in the judge's back. When Rice finds out what he has done, he is in fear of the law, but Jim pays the judge to settle the matter on condition that Rice gives his consent to his daughter's marriage.
A short silent comedy starring Mabel Normand and Ford Sterling.
According to Richard Standhope's will, both his daughter Laura and her long-lost twin brother Larry must be reunited by a certain date, or the estate will revert to her avaricious guardian, Andrew Brean. Following Standhope's death, Laura and her sweetheart, Jim Watson, read in her deceased mother's diary that Andrew had broken up the Standhopes' marriage soon after the twins' birth by unjustly accusing Mrs. Standhope of infidelity. Laura was then sent to boarding school, while little Larry, placed in his father's care, was neglected and later became a thief. As Laura and Jim ponder Larry's whereabouts, the house is robbed by none other than Larry, now called "the Kid," and his cohort, "the Snail."