A photo studio operator seems only interested in flirting with women. Hilarity ensues.
A general store clerk and aspiring detective investigates a mysterious disappearance that took place quite close to an empty insane asylum.
A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.
A lost film - Mary Gray, whose father manufactures cold cream, is engaged to sappy Horace Niles, the son of Hugo Niles, the elder Gray's most competitive rival in the cosmetics business. Chip Armstrong, a hot-shot public relations man, quits the employ of Hugo Niles and goes to work for Gray, persuading Mary to enter the Miss America contest at Atlantic City, with the intention of using her to endorse her father's cold cream should she win. Mary breaks her engagement with Horace. When it appears that she will win the contest, Hugo lures her home on the pretext that her father is ill, and she misses the contest. Chip and Mary return to Atlantic City, discovering that the new Miss America has told the world that she owes all her success to Gray's cold cream. On this note, Chip and Mary decide to get married.
A boy takes pictures of everything, including some embarrassing situations. When he projects the pictures on a wall for everyone to see, his father spanks him and smashes the camera.
Hoping to foil his own gold-digging wife's plan, a loathsome businessman arranges his own kidnapping, only to realize that there are plenty of other people interested in his wealth as well.
At Thanksgiving, a tramp arrives in a homeless-hostile town.
An opportunistic umbrella salesman attempts to save a musician and his daughter from blackmail.
Drama in the Futurists' Cabaret No. 13
Figures Don't Lie is a showcase for the physical charms of lovely Esther Ralston, who in one scene proves the accuracy of the title by donning a fetching one-piece bathing suit. The main story concerns wise-guy insurance salesman Richard Arlen, who through a combination of hard work and sheer gall lands a job as sales manager. But he can't land heroine Ralston, who has remained cool to his charms ever since he tried to make a play for her on the street. A lost film.
Aishwarya, an air hostess, wants to marry a millionaire, but mistakes Karthik, a gym trainer, for a rich guy and woos him. She calls off the romance when she discovers that he isn't well off, but Karthik will not let her leave that easily.
Charlie, a wandering tramp, becomes a circus handyman - soon the star of the show - and falls in love with the circus owner's stepdaughter.
A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.
Charlotte Lord, a widow in her early forties and owner of Manhattan's smartest modiste shop, is about to marry Guy Barton, a wealthy businessman. But Mexican divorces have been declared illegal, so Guy is still married to Sybil Barton, an unscrupulous gold-digger who left him twelve years earlier. She demands that Guy give her $250,000 for his freedom.- Written by Les Adams
Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.
A 1919 film directed by Sidney Franklin.
Clarence Brooks is a shy, timid man working for Mr. Flavell. He is love with Flavell's daughter, Nancy. Nancy is shallow and fickle, always chasing after other, less-upstanding men. Clarence enlists when World War I erupts. While Clarence is off defending his country, Nancy's mother arranges for her daughter to marry the wealthy Mr. Braille. When Braille is drafted, Nancy's mother starts arranging a rush wedding, against Nancy's wishes. Nancy claims that she and Clarence are already secretly married. When the war is over and Clarence returns home, he refuses to be a part of her charade. When Clarence declines the offer to marry Nancy for real, she must mature to win his affections back. A lost film.
A naive young man joins the Army in order to become a pilot.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.