Esencia de verbena

The millennia-old myth and tradition of St. Lucy's fire told through the eyes of teenagers on the shores of the Ionian Sea.

The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.

La ciudad es nuestra

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.

Velikonoce na Slovácku

Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)

Lidé pod sněhem

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

La notte dei Cucibocca

Six elderly retired women, two from Buenos Aires, Argentina; two from Montevideo, Uruguay; and two from Madrid, Spain, have something in common, despite their different interests and lives: they go to the movies almost every day.

Jízda králů

Folk architecture, costumes, work, customs and traditions, dances, and other expressions of traditional life in Slovak villages.

Children parade through the streets of Hinton St George in Somerset on the last Thursday of October. Children have hollowed out pumpkins or mangelwurzels, a type of animal fodder turnip to make lanterns following a tradition in this part of West Somerset that coincides with Halloween. Punky or Punkie Night is thought to date from the turn of the 20th century or perhaps medieval times chanting rhymes and following a Punkie King and Queen.

Tance slovanských národů

Fašánek

Documentary about the concerts of the Russian Osipov ensemble of folk instruments in Czechoslovakia

Document about folk ceramic products from Moravian Slovácko and Wallachia.

Anna "Buksa" Scemelinska (1925 - 2011) was a Latvian folksinger. She learned her song repertoire and singing style from her parents and villagers. She sang in the Rekova Church Choir in 1956, and has also been a member of the Rekava Ethnographic Ensemble from 1980. Her mother sang religious hymns ,"godzinkas", while Anna sang traditional dainas. The singing was like the rest of her life: in harmony with nature. Marked by hard work and deep religiosity, her songs are a kind of Eastern European blues or gospel. Singers like Anna Scemelinska are storytellers. Their folk songs comprise legends, history and experience from life.

Karol Plicka was an important musician and composer. He recorded folk songs immediately after hearing them in musical notation to preserve them for future generations. Similarly, he records and interprets traditions associated with dance, folk song and local stories that vary from region to region in his film The Eternal Song. The short documentary presents merry-making in Slovak and Czech regions that are changing with the coming modernization and transformation of musical records.