Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
Jimmy Durante asks popular song writing team Mack Gordon and Harry Revel to demonstrate some of their songs. There is interplay with impersonator Florence Desmond, Ben Turpin, Rudy Vallee and many others.
A man meets the daughter of his lover and they begin to fall in love.
Olga Neuwirth, for a long time one of the great composers of the present, succeeds with this opera in creating a captivating arc across many musical genres. It’s an exciting, socially critical production by Polly Graham who puts a fantastically singing and playing Kate Lindsey in the center of the action.
During the Russian Revolution, a young nobleman and his peasant maid flee from their homeland to Constantinople where they marry and begin a challenging new life.
A boatload of Westerners is trapped in Manchuria as bandits led by Russian renegade Voronsky ravage the area. Seeking refuge in a fortified inn, the group is led by the boat's Captain Carson, who becomes involved with a woman who "belongs" to Voronsky. Carson must contend with the bandits outside and the conflicting personalities of those trapped inside the inn, as well as dealing with spies among the inn's personnel.
After singing over the radio, Bing Crosby transmits a signal to elope to his sweeheart Helen; but her father is listening too. Undaunted, Bing tries, tries again.
Ruby is a counter girl at the San Diego Soda Shop with a habit of being a girlfriend to Sailors stopping by. Things get a little zany when she sets her eyes on Bull's Eye McCoy a gunner who refuses to settle down.
A hopelessly silly young flibbertigibbet from Mississippi is faced with the choice of her poor, boorish New Jersey boyfriend or a dashing Opera star, a man of experience.
Based on and built around the west coast radio program, "The Hollywood Barn Dance", although no members of the 1947 cast of the program are in the film, but the better-known (on a national scale) Ernest Tubb and His Texas Troubadors, Jack Guthrie and Jimmy and Leon Short more than make up for that. The slight plot, around 18 songs, begins with Tubb and his band searching for $2000 needed to rebuild their town chuch after it burned down while they were rehearsing in it. Hollywood, here they come!
In Kentucky just after the Civil War, the Hayden-Colby feud leads to Jed Colby being sent to prison for 15 years for murder. The Haydens head for Nevada and when Colby gets out of prison he heads there also seeking revenge. The head of the Hayden family tries to avoid more killing but the inevitable showdown has to occur, complicated by Lynn Hayden and Ellen Colby's plans to marry.
A man is convicted of killing his boss, whom he suspected of having an affair with his wife. On board the train taking him to prison for his execution are a reporter, who is dying of lung cancer and wants to interview the condemned man--and who also has some inside knowledge of the circumstances of the man's case. Also aboard is the prisoner's wife, who doesn't believe her husband is a killer and desperately wants to talk to him about it but he refuses to speak to her.
Dawn, a young white girl who has been kidnapped in infancy and reared by Mooda, an African woman who operates a canteen in the German cantonment, meets and falls in love with Tom Allen, an English rubber planter who is a prisoner of war. Shep Keyes, who has joined the German troops, covets her but realizes he cannot possess her because she is betrothed to the tribal god, Mulunghu. On the eve of the ceremony, he learns of her love for Tom. Tom, meanwhile, is sent back to England, and when the English take the territory from the Germans, Shep tries to incite the natives, who are experiencing a drought, against Dawn because of her love of a mortal. Tom learns from Mooda that Dawn was stolen from a white trader and finds her seeking refuge in a convent. Shep arouses the natives, but Dawn declares her faith in the white man's God, and a thunderstorm brings relief to the parched land, after which Tom claims her for his bride.
After the monstrous Bergens invade Troll Village, Princess Poppy, the happiest Troll ever born, and overly-cautious, curmudgeonly outcast Branch set off on a journey to rescue her friends. Their mission is full of adventure and mishaps, as this mismatched duo try to tolerate each other long enough to get the job done.
Heidelberg teenagers make jazz music.
A grandmother's will leaves her fortune to a few, mostly to her great-niece Ann. Ann will only receive her inheritance once she marries, with the approval of three of her stuffed-shirt relatives, and without scandal. Otherwise, the estate goes to the cat and dog hospital. Ann, not needing the money, rebels by seeking scandal with a gigolo.
Stage registration of the Belgian musical by Studio100. The Belgian girl group K3 play the three little pigs Knirri, Knarri and Knorri, who are ravaged by wolves. The father wolf Baltimoor encourages his three sons to catch the three little pigs, in order to prove their capability as a wolf. However, the three sons Wupert, Waldo and Willie encounter unforeseen developments.
A poor Chilean Joaquin Murrieta decides to move to California in gold searches. On his way he meets a beautiful girl who becomes his wife. But their happiness is short. Life of the gold diggers is cruel... After his wife dies Joaquin takes up arms to revenge.
Tommy is a happy sailor, travelling the world, singing his favourite songs. When he visits Spain, he gets mistaken for a famous bullfighter. Tommy finishes up in the bull-ring facing a VERY angry bull and cheered on by the crowd. What will he do now?
Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as "The Ladies Who Lunch" from Company and "Civilization" from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.