The Feast of Gion

This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).

In this film, her next-to-last picture for Fox, it was Theda Bara's turn to tackle a double role. Bara's characters are twin sisters La Belle Russe, the wicked one, and Fleurette, the nice one. They're Parisian dancers, and Fleurette marries Philip Sackton (Warburton Gamble). However, Sackton is a member of Britain's snooty aristocracy, and his family disinherits him.

A story of Vienna following World War I, in which the butchers became millionaires and the aristocrats became beggars, told against a background of mother-love and sacrifice.

At The Beauty's Altar

Pinku distributed by Million.

Theda Bara plays the social-climbing Olga Dolan, who becomes the Duchess of Rutledge by means of deception and sheer ruthlessness. Sadly, Bara, who had more or less single-handedly begun the "vamp" craze with the prototype of the genre, A Fool There Was, went out with little more than a whisper. She left films after the ironically titled The Lure of Ambition, and was lured back only twice, in: The Unchastened Woman (1925), a poverty row concoction which had few takers, and Madame Mystery (1926)

Desperate to change her vixenish image, Theda Bara was called upon to play a sweet young thing (she was nearly 30) who sacrifices herself for the happiness of her sister (Claire Whitney).

Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hopes of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.

Mary Lynde (Theda Bara) is an innocent girl who has grown up in New York's Greenwich Village. One of the artists there, Felix Benavente (Sidney Mason), uses her as model when he paints a portrait of the Madonna for a church. His friend Robert Sinclair (Hugh Thompson) corrupts Mary so that her father (Walter Law) casts her from his home. She goes to live with Sinclair in his mountain lodge, but after the birth of a child, he callously casts her aside. Subsequently, her baby dies and she sinks to the depths of despair.

Sally, a girl of the tenements, is being raised by three bachelor foster-fathers, a pawnbroker, an organ-grinder and a peddler, and is very happy preparing their meals and keeping the house, while the old men bask in the attention she gives them. However, this happy home is broken up when Sally wealthy aunt appears on the scene and takes Sally back to her luxurious penthouse in order to give her the advantages of money and social position. But Sally's heart is back across the river with her plumber sweetheart, Jimmie Adams.

When Matt Moore was thrown over by vamp Kathleen Cliffford, he resolved to have no more women in his life. But he didn't take account of wealthy Mage Bellamy who is determined to pursue him until he marries her.

Young Edmond Durand (Conrad Nagel) has been reared under the autocratic influence of his aunt (Marcia Manon), who directs a large silk mill in southern France. He revolts against a stifling career planned for him and leaves home with Marcelle, a Gypsy girl (Renée Adorée). They roam the countryside with a Gypsy caravan in romantic bliss; they are inadvertently separated but at the outbreak of war are reunited. When peace is restored, the lovers find happiness together.

Don Counsel, a New Yorker who is traveling through southern Florida, is being framed by Ernest Riever for a murder he did not commit. Riever is holding the real killer captive on his yacht while detectives are searching for Counsel. Pen Broome, who lives with her father (Henry James) on their rundown estate, tries to help Counsel out. Riever's men find Counsel and trap him in a ballast bulkhead, but Pen rescues him.

Steve, ambitious to outstrip his rivals, Slim and Tex, in a race for Betty's hand, orders a dress-snit by mail. The spike-tail is an awful fit and Steve retires from Betty's inspection anything but pleased. He gives the "fixins" to a Mexican, who in turn suffers from the hands of the populace when he makes his appearance in public, and is finally suspiciously pursued by a posse.

Silent feature film by Olga Preobrazhenskaya and Vladimir Gardin based on Pushkin’s story of the same name. Considered lost. Directorial debut of Olga Preobrazhenskaya.

On the lam from the New York Police because of a false murder charge, playboy Brooke Travers escapes to a Central American banana republic.

Helen Ross spends her time reading novels. She has made up her mind to marry only a young man whom she can save from something or other, or one who can rescue her in some romantic way.

Vallery Grove is in love with Don Warren but her mother opposes the match because he is poor and has no social standing. Don decides to terminate his engagement to Vallery after attending a party where he meets a spoiled rich girl who is interested in him.

Revenge of an Actress

Ralph Brooks, although engaged to Julia Dean, meets and becomes infatuated with Rita Reynolds. She gains his sympathy by telling untrue stories of her husband's brutality. They plan to run away together but while Rita is taking a large sum of money from her husband's safe, he returns early from a business trip and a fight ensues which results in her husband's death.