Cirugía y recuperación

Dix Jours dans la guerre d'Espagne

Franco on Trial is the new film by Dietmar Post and Lucía Palacios. After the success of Franco's Settlers, their first encounter with Franco's dictatorship, they are now setting their sights on one of the darkest chapters of European history: the presumed organized extermination that took place during the coup, the war, and the subsequent dictatorship led by Franco, as well as Argentina's current effort, by invoking the principle of universal jurisdiction, to prosecute Francoists accused of committing crimes against humanity. The film is also a sore reminder of an issue that still stands today: the clear-cut accountability held by Germany, Italy, and Portugal. The film accomplishes to give both sides a voice - those against whom the killing has been directed; and the side of the perpetrators.

La Era

In the mountains of Madrid, Spain, a railway track on an abandoned bridge and a poem erased from the wall of a ruined building reveal a deliberately silenced story: the system established by Franco's dictatorship after the civil war (1936-39) that allowed hundreds of companies to use thousands of convicted Republicans as slave labor.

Brigadistas

The Moroccan Labyrinth

Presos del silencio

A documentary made with homemade videos of the spanish exiled due to the dictatorship in Spain from 1939 to 1977.

The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.

A short film on Republican efforts to improve education standards during the Spanish Civil War.

Los últimos guerrilleros - Historia de la A.G.I. (Agrupación guerrillera de Levante)

After the discovery of a suitcase hidden in the family home of Francisco Martínez Gascón, known as Kautela, a photojournalist who lived through the Spanish Civil War from the perspective of the rebel side, his granddaughter decides to carry out an investigation into his life and work.

During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.

The film shows the genesis of the El Rocío pilgrimage and unveils the economic, socio-political and religious reasons and interests that nurture the phenomenon.

A group of forensic doctors begins the exhumation of a mass grave in Vilagarcía de Arousa. This is the story of those who seek and those who seek them.

A story about the memory of the memory, which starts from the revenge perpetrated on October 15, 1936, when nine men were killed in Bayonne as a result of events that happened two days before, and which involved the death of a resident of that town and more than one Falangist .

A documentary, of incalculable power, that reflects the abrupt interruption of childhood through thirteen survivors who at the time of 1936 were between six and twenty-two years old. The film narrates his experiences during the conflict, his fears, his hunger, which became more acute after 1937 when Madrid was isolated by Franco's troops. The memories of the protagonists are interwoven with archival images and with the testimony of Eduardo Haro Tecglen and several other people, respecting the silences and pauses in which the interviewees relax the emotions that these memories stir up in them. A cinematic beast's blow where life becomes death: the story of a childhood lost in the midst of embers, hunger and blood.

Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.

La Historia Enterrada

Marcos y Vida