Fury and the Woman

Call him a city slicker. Call him a tenderfoot. But don't call him a member of the family--yet. Rising L.A. lawyer James White is going home for the holidays with his fiancée, Sadie Ryder, to finally meet her family in rural Pine Gap. After blundering through a bad first impression, James attempts to win over Sadie's lawyer-loathing father Karl by pretending to be a horse-riding, hay-baling, game-hunting, seasoned square dancer. But a pair of worn jeans and a ten-gallon hat don't make a cowboy, and it's going to take more than mere posturing to charm Mr. Ryder... in fact, it just might take a miracle.

Chicago hotel clerk Frank Harris dreams of life as a cowboy, and he gets his chance when, jilted by the father of the woman he loves, he joins Tom Reece and his cattle-driving outfit. Soon, though, the tenderfoot finds out life on the range is neither what he expected nor what he's been looking for...

A tenderfoot arrives in a western town and the inhabitants give him a rough time.

When Timothy Atkinson arrives in a rough Western town to become the telegraph operator, the locals peg him as a tenderfoot.

Based on author James H. Tevis' Arizona in the 50s. Natural dangers and hostile Indians create problems for travelers in the West in the 1850s; a young man almost killed in an Indian raid looks to a frontier scout, Mose Carson, for an education. They get involved in a plan to sell wild mustangs to the Army. The edited-down theatertical release of a 3-part miniseries that aired on television.

Antoine Espérandieu, a French tenderfoot, lands in Windows Canyon, Arizona, a remote place under the thumb of dangerous outlaw Dynamite Jack, only to discover the friend he was to meet there has been murdered. Worse, it is not long before Antoine realizes he is Jack's perfect lookalike. All the same, he decides to settle down in the small town, where he becomes the local tax collector. One day, he finds himself face to face with the bandit...

Willie Duggans, a tenderfoot from the east, arrives in the wild west and soon experiences its violence. Willie discovers the easy money in bounty killing and must choose between that violent lifestyle and the love of a beautiful saloon singer.

Sue Gordon, a mountain girl on the Tennessee side of the Cumberlands, lives with her grandmother. When "Granny" dies, Sue--fulfilling Granny's dying wish--goes to Chicago to live with John Peyton, an industrialist who was at one time Sue's mother's fiancé. She finds that Peyton's employees are on strike, and one of the strike's leaders is Peyton's son, Donald, to whom she is becoming increasingly attracted. Complications ensue.

Dearie Lane refuses to marry Fred Millard, whom she loves, because of her previous affair with roué Mark Winfield. When she confesses, Fred forgives her, and they marry and live happily in a modest home until the owner, who turns out to be Winfield, comes to collect a delinquent payment and suddenly dies. Dearie, afraid that the absent Fred will misunderstand, hides the body with the help of a boarder and a cook until midnight when they carry it down the stairs to the countryside, but the creaking of the steps is heard by Fred.

In the early eighteenth century, pirate captain Jean Lafitte fights a rival pirate and wins a treasure and a beautiful female captive. Although the girl offers herself to Lafitte to save her English lover, Lafitte makes him walk the plank. The girl then places a curse on Lafitte and his descendants, preventing them from ever knowing the true love of woman. Two hundred years later, in the West Antilles, painter Paul Winthrop poses Joe, a pearl diver, as a pirate. Upon seeing the completed painting, each envisions the earlier situation. Later, Joe finds the buried treasure and sails to New York, where he learns that the portrait has also attracted wealthy Lily Demorest and her suitor, Robert Spurr, a "financial pirate."

Peter James Slaney, just released from prison, is the only boarder who is kind to Lena, the maid at the cheap Paris Hotel. So that Lena can leave her abusive landlady, Slaney accepts $2,500 from a stranger, who threatens to send Slaney back to prison unless he undertakes a job. Slaney is sent to the home of political boss John Biggs with a sealed envelope which he is to open after entering.

When her husband, struggling lawyer Horace Dillingham, is unable to provide adequate money for her insatiable desire for expensive cherries, Kitty Dillingham goes to work as a stenographer for him. One day while Horace is out of the office, Kitty mistakes Jonas Collamore, a defendant in a divorce suit for whom Horace is acting, for an important client. Kitty agrees to lunch, and, swallowing many maraschino cherries along with their cocktails, becomes drunk. Jonas takes her to a nearby inn where they are followed by Mrs. Collamore's detectives, who then summon Mrs. Collamore and her lawyer Horace.

U.S. Navy Lieutenant George Blenton becomes drunk at an official reception, and his fiancee, Jane Ravenslee, the captain's daughter, breaks their engagement. After war is declared, George, entrusted with a secret code book to deliver to an English admiral, drinks and loses the book which German spies recover. During a private court-martial he is offered a pistol for suicide. After drinking again, he fires a shot, but still lives. Put ashore on the island of Tafofu "to rot," George, hating the U.S., moves in with Lehua, a half-white who tries to wean him from drink.

Iwata, cheerleader of a university, Odagiri, a free lance cameraman, and Sekiguchi, a day laborer working on a subway project. As they pass an area dotted with the villas of affluent people, they decide to stop at one to ask the owner to let them put through a phone call. What they seen when they enter the gate makes them draw in their breaths quickly and causes their pulses to begin to race madly – Miki, a lass whose only claim to fortune are marvelous breasts, cute nipples and a figure even every top model dreams of having...

Бегствующий остров

A girl from a small village goes to the big city to realize her dream of driving trains.

Mibôjin geshuku: Hatsunori

When a recently widowed mother becomes houseless, she convinces her 8-year-old daughter that they are only camping for fun while working to get them off the streets.

In the depths of an ancient forest, something has been growing. Something older than humanity itself, and perhaps greater too. When a park ranger discovers a man and his son living wild, she stumbles onto a secret that is about to change the world.

A retrospective of events in director Louis van Gasteren’s life from 1964 to 1969, filmed by him in that period and reflected on from his vantage point over 40 years later at the age of 90.